TV Review: ‘The Flash’ S1 EP1 “Pilot” – SERIES PREMIERE

Make way for The Fastest Man Alive…

Starring:  Grant Gustin as Barry Allen, Candice Patton as Iris West, Danielle Panabaker as Caitlin Snow, Rick Cosnett as Eddie Thawn, Carlos Valdes as Cisco Ramon, Tom Cavanagh as Dr. Harrison Wells, Jesse L. Martin as Detective Joe West

Series created by:  Greg Berlanti, Andrew Kreisberg & Geoff Johns

Episode directed by:  David Nutter / Written by:  Andrew Kreisberg & Geoff Johns / aired in the UK:  28/10/2014

What’s this episode about?

Comatose for nine months following an explosion at STAR Labs, CSI investigator Barry Allen awakens to find he has been gifted with incredible powers and is now the fastest man alive…

Episode review

Developed by the Producers of Arrow together with former Flash writer (and DC Comics God) Geoff Johns, The Flash is the latest small screen venture from DC/Warners and sees star Grant Gustin (Glee) hit the ground running – pun very definitely intended – after his two episode stint on that afore-mentioned sister show introduced viewers to Barry Allen, a Crime Scene Investigator from Central City – destined to become the iconic ‘Fastest Man Alive’ aka the DC Comics hero ‘The Flash’.

The series premiere of The Flash picks up where Gustin’s Arrow appearances left off, with Allen discovering his new abilities in the wake of the STAR Labs particle accelerator explosion – it’s not essential to have seen those episodes of Arrow as all the essentials are dealt with via flashbacks/narration, but it does enrich the viewing experience…especially when it comes to a particular surprise cameo.

We’re given a peak into Allen’s tragic past and the mysteries surrounding the murder of his mother for which his father (played by John Wesley Shipp – star of the short-lived 1990s Flash TV series) has been wrongfully accused, an intriguing set-up which lays the foundations for what is likely to be the premiere season’s main story arc and which readers of Flash comic books will be all too familiar with(!)

We’re also introduced to the other cast of characters of The Flash – including Allen’s best friend/quasi-love interest Iris West (facilitating some of the show’s weaker soapy elements), Central City cop Eddie Thawn and STAR Labs wiz-kids Ramon and Snow (who are no Fitz and Simmons, but it’s early days).  Most prominent though are Jesse L. Martin as Iris’s Detective father, who also serves as father figure to Allen and Tom Cavanagh as the enigmatic (and shady?) Dr. Harrison Wells.

Whilst a little time is taken to introduce the show’s supporting characters, it’s Gustin that rightfully stands out front and centre – infusing his performance with a believable and likeable underdog quality and is sure to be key to the show’s success.

Having Geoff Johns involved is a definite bonus, having written lengthy runs of Flash comics he has a well-developed understanding of the character and his place in the wider DC Comics universe (look out for the many fan-pleasing Easter eggs sprinkled throughout).

Character and story aside, The Flash features some very impressive digital effects work with an exciting finale (handled more than adeptly by veteran director David Nutter) that’s almost worthy of a feature film as the central hero faces his first villain.  Speaking of villains, the notion that Allen was not the only person to be ‘affected’ by the particle accelerator incident means there will be many more for the titular hero to face – it’s a nifty plot device which hopefully the show’s writers won’t rely on too heavily, lest it become tedious further down the line.

The overall tone of the show is surprising – it’s clearly not as dark and gritty as Arrow yet not even as close to light and goofy as many would expect.  Of course, the fantastical element of dealing with superpowers (which Arrow is largely committed to ignoring) together with a more morally clear central hero will set The Flash apart and should provide an interesting counterpoint.

The bottom line:  The Flash is off to a strong start, it certainly has legs so here’s hoping it keeps running!

The Flash airs in the UK on Tuesdays at 8pm on Sky 1.  US viewers can catch it Tuesday nights on The CW.

Grant Gustin proves the perfect lead as Barry Allen in the exciting series premiere of The CW's 'The Flash'.

Grant Gustin proves the perfect lead as Barry Allen in the exciting series premiere of The CW’s ‘The Flash’.

 What did you think of the series premiere of ‘The Flash’?  Share your thoughts below!

TV Review: ‘Marvel’s Agents of S.H.I.E.L.D.’ S2 EP1 “Shadows” – SEASON PREMIERE

Enter S.H.I.E.L.D. 2.0…

Starring: Clark Gregg as Agent Phil Coulson, Ming Na-Wen as Melinda May, Brett Dalton as Grant Ward, Chloe Bennet as Skye, Iain De Caestecker as Leo Fitz, Elizabeth Henstridge as Jemma Simmons

Series created by: Joss Whedon, Jed Whedon & Maurissa Tancharoen

Episode directed by: Vincent Misiano / Written by: Jed Whedon & Maurissa Tancheroen / aired in the UK: 24/10/2014

What’s this episode about?

Coulson and his team must prevent a superhuman criminal from stealing a powerful artefact stolen from Hydra during World War II…

Episode review

Having endured mixed reactions from fans and critics for much of its first season, it was great to see Agents of S.H.I.E.L.D. begin to find its creative footing as it moved from the format of an episodic family-friendly procedural to something edgier and more arc driven as Marvel’s fledgling show linked into the events of big screen hit Captain America: The Winter Soldier.

AoS makes a confident and sure return – kicking as much back-side as Ming Na-Wen – as “Shadows” picks up were season one left off, with ‘Director’ Coulson leading the remnants of S.H.I.E.L.D. in the fight against Hydra and other extraordinary threats to the general populace. As the episode title infers, Coulson and his team are now working from the shadows as they continue to thwart the plans of their enemies whilst evading capture by the U.S. Government.

Much as the show’s direction has undergone some change, so has Coulson and his team. Whilst Skye has become an adept and loyal agent, Ward must deal with the consequences of his betrayal (allowing some rather creepy Silence of the Lambs-esque moments between Ward and Skye) just as Fitz’s mental state is fast deteriorating – offering more depth and dramatic potential for actors Brett Dalton, Chloe Bennet and Ian DeCaestecker.

The team are also joined by some new faces including former Cylon and Warrior Princess Lucy Lawless as Isabelle ‘Izzy’ Hartley – a beer swilling tough cookie that could very nearly give Agent May a run for her money. Although Clark Gregg feels absent from much of the episode, his inclusion is no less significant and his narrative sparring with Adrian Pasdair’s General Talbot are amongst the episode’s many highlights.

The episode’s plot surrounding a stolen Hydra artefact is serviceable, yet intriguing, and offers links to the larger live action Marvel Universe as well as hints at this season’s story arcs. Despite a sizeable threat from superhuman heavy Carl Creel (aka the Marvel Comics villain ‘The Absorbing Man’), facilitating the episode’s requisite action, it’s arguably the show’s characters and their plight that are now in the driving seat.

The season premiere’s real treat though comes right in it’s opening scenes as we flashback to 1945 as Hayley Atwell’s Peggy Carter and the SSR (the proto-S.H.I.E.L.D. organisation established in Captain America: The First Avenger) lead the charge against Hydra as Nazi Germany faces defeat by the allies. More than just a spot of viewer-baiting it provides a welcome tease for the upcoming mid-season Agent Carter series.

All in all, AoS may have had an uneasy ride during its first season but is sure to deservedly find itself atop of the watch list of many a discerning comic book fan.

The bottom line: Agents of S.H.I.E.L.D. is back with gusto and based on this season’s premiere, shows great potential for the show’s future.

Marvel’s Agents of S.H.I.E.L.D. airs in the UK on Fridays at 8pm on Channel 4. US viewers can catch it Tuesday nights on ABC.

'Director' Coulson (Clark Gregg) leads the fight against Hydra from the shadows in the exciting season 2 premiere of Marvel's 'Agents of S.H.I.E.L.D.'

‘Director’ Coulson (Clark Gregg) leads the fight against Hydra from the shadows in the exciting season 2 premiere of Marvel’s ‘Agents of S.H.I.E.L.D.’

What did you think of the season premiere of Agents of S.H.I.E.L.D. ? Share your thoughts below!

Special Preview: ‘Attack of the Killer Sock’

Something spooky is ‘afoot’ in the latest short from Alexander Williams…

There's a chill in the air in the latest offering from Mcphoney Pictures - 'Attack of the Killer Sock'!

There’s a chill in the air in the latest offering from Mcphoney Pictures – ‘Attack of the Killer Sock’!

Regular GBUK readers might recall that I’ve mentioned my good friend Alexander Williams who produces numerous wonderful short films showcased via his website,

Now, it’s easy to point out that I might simply be saying all this because he’s a valued and dear friend but in all serious – the guy is TALENTED!

So, having been offered the privilege of an advanced viewing of Alex’s latest project, I have the pleasure of bringing you a brief, spoiler-free (because I want you all to check it out and enjoy it for yourselves!) look at Mcphoney Pictures’ upcoming release, Attack of the Killer Sock.

Don’t be fooled by the title of the short and the ‘central threat’.  Yes, there’s a hint of the darkly comic (as anyone would expect when a murderous piece of clothing is involved) yet it’s treated with a seriousness and intensity that you may not expect – and be pleased to discover!

As the short (clocking close to a respectable 30 minutes) opens we’re informed of the project’s inspiration – the works of late quintessential ghost story author M.R. James, many of whose stories have been adapted for television by the BBC.  The influence is clear and much like those BBC adaptations there’s deft use of simple, yet extremely effective visuals (and audio) to instil in the viewer a palpable sense of atmosphere that’s unnerving and chilling.  Alex deftly employs all of the tropes of a classic scare – utilising a diverse range of angles and close-ups and lighting techniques that reminds us that fear comes from the unknown and the unseen (or barely seen).

If only the BBC would hire Alex to produce their next M.R. James adaptation as I found Attack of the Killer Sock every bit as unsettling and effective as their adaptations of such classic James stories as the Tractate Middoth and Whistle and I’ll Come to You.

Anyway, all that’s left for me to say is to recommend viewing the trailer below and that you check out Attack of The Killer Sock when it’s released via (and the Mcphoney YouTube channel) this Halloween!

A very special thanks to Alexander Williams for the opportunity to bring you this preview and all those involved in the production of Attack of the Killer Sock.  Check out Alex’s other work at

Attack of the Killer Sock is released via the website and YouTube channel on Friday 31st October.