Bond is back…
Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Ralph Fiennes, Monica Belluci, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Rory Kinnear, Jesper Christensen
Directed by: Sam Mendes / Written by: John Logan, Neal Purves, Robert Wade and Jez Butterworth / 148 minutes
What’s it about?
Whilst the British Secret Service faces an uncertain future, James Bond receives a message from his past that puts him on a dangerous path as he seeks to uncover a sinister criminal organisation known as Spectre…
Ian Fleming’s James Bond – 007 – returns to the big screen for the 24th official entry in the enduring and phenomenally popular spy film franchise. With the overwhelming success of 2012’s Skyfall, Bond film producers Barbara Broccoli and Michael G. Wilson stoked the flames of anticipation by securing the return of Oscar Winning director Sam Mendes. Spectre is a solid and thrilling, yet at times imperfect, follow up to that aforementioned game-changing Bond feature. It’s a well-crafted and often exciting action thriller that perhaps suffers a little under the weight of high expectations and efforts to repeat and surpass the heights of Skyfall and arguably lead actor Daniel Craig’s finest hour, Casino Royale. With Skyfall we were presented with an interesting progression of the modern Bond film which was more firmly rooted in the pages of Ian Fleming’s original novels and cerebral spy serial Tinker, Tailor, Soldier, Spy whilst melding the very best elements of Sean Connery’s tenure as the iconic spy. What Spectre does is strive to heighten those elements to mostly positive results, with a few stumbles.
In celebration of what makes a proverbially “good” Bond film there is perhaps a little too much reverence to what has come before, homages to key moments in From Russia With Love, Goldfinger, On Her Majesty’s Secret Service and The Living Daylights (to name a few) are generally pleasing but also evoke a feeling of familiarity that wasn’t present in Skyfall. There’s also an increase in humour which doesn’t always hit the mark (and even in the odd instance threatens to undermine the drama) and the film’s pacing can at times feel a little sluggish.
Despite these grumbles, the effects of which will likely diminish upon repeat viewings, Spectre certainly delivers the goods. Daniel Craig makes an assured return as Bond, at ease with his effortless swagger, dapper demeanour and unreserved lethality – the best since Connery and the closest to Fleming’s interpretation of the character since Timothy Dalton. Lea Seydoux, who had a memorable villainous stint in Mission: Impossible – Ghost Protocol, makes for a decent female foil to Craig’s Bond as the sparky Dr. Madeleine Swann and there are some fun moments to be had with Ben Whishaw’s Q and Naomie Harris’s Moneypenny. Just as Whishaw gets his time in the field, Ralph Fiennes – returning as the new M – also gets a piece of the action as well as sharing some great scenes with Sherlock’s Andrew Scott, who plays the chief of a new intelligence agency poised to replace MI6 and the double-0 programme.
Spectre also provides a physically imposing (and largely mute) henchman in the mould of Jaws and Oddjob in the form of Mr. Hinx, a terrifying muscular powerhouse that’s an ideal fit for Guardians of the Galaxy’s Dave Bautista. This ultimately brings us to double Oscar Winner Christoph Waltz’s main antagonist, Franz Oberhauser, a shadowy figure with connections to Bond’s past and a requisite agenda of evil. Waltz is simply great with a wonderfully understated and nuanced portrayal that is non-the-less chilling and leaves the viewer in no doubt that he is a capable threat.
The film’s action sequences are second to none, aside from the exciting opening in Mexico City that’s on a par with Goldeneye, there are fist fights as bone crunching as those in Casino Royale, car chases that stand shoulder to shoulder with Quantum of Solace and a spectacular high-stakes finale that threatens to rival Skyfall.
Beyond its strong cast and adrenaline infused action, Spectre has an intriguing script that crafts an enjoyable contemporary spy thriller that is mindful of the post WikiLeaks climate with twists and turns that, although in some instances are predictable, facilitate moments of genuine surprise. Director Sam Mendes once again guides proceedings with absolute precision, aided by the striking visuals of Interstellar cinematographer Hoyte Van Hoytema who makes the most of rich and varied locales – ranging from Mexico, Rome and Tangier to Austria and London – to present a visually sumptuous film that’s complemented by Skyfall composer Thomas Newman’s score (shame about Sam Smith’s underwhelming theme song) in a flawed but ultimately solid outing for 007.
The bottom line: Although not quite hitting the overall heights of Casino Royale and Skyfall, Spectre is still a strong and skilfully executed assignment for Mr. Bond.
Spectre is in cinemas across the UK now and opens worldwide on 6th November.