Starring: William Shatner, Leonard Nimoy, Gary Lockwood, Sally Kellerman, James Doohan, George Takei, Paul Fix, Paul Carr
Series created by: Gene Roddenberry
Written by: Samuel A. Peeples / Episode directed by: James Goldstone / 1966
What’s the episode about?
Attempting to cross an energy barrier at the edge of the galaxy, the U.S.S. Enterprise is severely damaged and a strange phenomenon causes two crewmembers with high ESP ratings to develop god-like abilities…
In 1964, Gene Roddenberry produced a pilot for a science fiction series called Star Trek. Titled “The Cage” and featuring Jeffrey Hunter in the lead role as Captain Christopher Pike, it was ultimately rejected by executives at television network NBC who felt it was ‘too cerebral’. However, they saw potential in the premise of Star Trek and in an unprecedented move (and reportedly under the persuasion of Lucille Ball, star of I Love Lucy and co-owner of production studio, Desilu), commissioned a second pilot.
Written by Samuel A. Peeples, who had previously worked on series such as Wanted: Dead or Alive and Burke’s Law, “Where No Man Has Gone Before” would take an imaginative science fiction concept, in this case extra sensory perception (ESP) and explore the moral consequences of individuals being imbued with god-like powers that, on the wrong side of human ego, could prove corruptive and dangerous. Ironically, still a cerebral idea but one that would incorporate some measure of action and excitement to satisfy the demands of TV bosses, all too aware of the popularity of western and detective series where audiences had come to expect a bare knuckle fist fight or two. Peeples’ script works extremely well and whilst later episodes of Star Trek are better examples of those morality plays that would become a significant part of the series’ DNA, it gives the audience a science fiction story that’s treated intelligently, laced with personal and ethical conflict as well as that aforementioned element of action and adventure.
The only surviving cast member from “The Cage” is Leonard Nimoy, who returns as a far less emotional and much more intellectual Mr. Spock. At this point, the character is a work in progress as Nimoy seeks to find the right level of cold logic and define the subtle nuances of the Spock viewers would come to know. No easy task given the changes in the character’s portrayal from the original pilot and a few quirks aside, Nimoy does a commendable job of laying the groundwork for the infamous Vulcan science officer.
Replacing Jeffrey Hunter is Canadian actor William Shatner as Captain James (no “T” just yet) Kirk and in contrast to Nimoy’s Spock, Shatner hits the ground running and is very much the familiar starship captain from the get-go with a passionate and driven performance as Kirk is torn between the responsibilities to ship and crew and his friendship with Gary Mitchell, who Spock warns is becoming an increasing danger as his latent powers grow.
Mitchell is played by Gary Lockwood, star of Roddenberry’s short-lived military drama The Lieutenant (and would go on to appear in Stanley Kubrick’s 2001: A Space Odyssey) who shares good chemistry with Shatner and fellow guest star Sally Kellerman (later earning an Oscar nomination for M*A*S*H), in the role of Dr. Elizabeth Dehner – another strong female character in the vein of Majel Barrett’s ‘Number One’ in “The Cage” – who’s high ESP rating would also lead to the awakening of omnipotence. Whilst Mitchell reaches the ‘point of no return’ (Lockwood’s performance becoming more and more menacing), it’s Dehner who begins to question these new abilities and their corruptive influence over the more rational sides of human nature.
Missing from the familiar ensemble of Star Trek’s first season are Nichelle Nichols’ communications officer Lt. Uhura and DeForest Kelley’s chief medical officer, Dr. Leonard “Bones” McCoy (a role temporarily filled here by Paul Fix’s Dr. Piper) and whilst James Doohan is in place as chief engineer Scott, George Takei’s Sulu is absent from the Enterprise helm instead forming part of the ship’s scientific group.
Strangely, NBC decided to commence airing Star Trek with “The Man Trap” on 8th September 1966 with “Where No Man Has Gone Before” going out on 22nd September. Given noticeable differences in casting and even some of the set design and costumes (with the slightly more drab crew uniforms being recycled from “The Cage”), this must have been jarring for even the least attentive of viewers at the time? In the end, “Where No Man Has Gone Before” succeeds as a rough template for Star Trek, where it demonstrates the indomitable nature of the human spirit against the backdrop of an entertaining and imaginative SF story.
Geek fact! Samuel A. Peeples would also pen the first episode of the Star Trek animated series, “Beyond the Farthest Star”.