The iconic King of an equally iconic lost world is reborn in a franchise expanding blockbuster…
Starring: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, Toby Kebbell, John C. Reilly, Corey Hawkins, Terry Notary
Directed by: Jordan Vogt-Roberts / Written by: Dan Gilroy, Max Borenstein and Derek Connoly (story by John Gatins) / 118 minutes
What’s it about?
A team composed of scientists and military officers mount an expedition to a mysterious lost island in the South Pacific…
Far from being a masterpiece, Kong: Skull Island isn’t in the same league as the classic original 1933 King Kong or Peter Jackson’s superb 2005 remake but is certainly superior to the creaky 1976 version, which starred Jeff Bridges and Jessica Lange.
Taking place as the Vietnam War is coming to an end, the narrative of Skull Island is served by a fairly simple, derivative, yet functional and entertaining script (from screenwriters Dan Gilroy, Max Borenstein and Derek Connoly) that’s hindered by weak characterisation and occasionally cheesy dialogue that underserves and underutilises a stellar cast. Tom Hiddleston (Thor’s Loki) and Brie Larson (awarded an Oscar for her role in Room) are capable leads as former S.A.S. tracker James Conrad and ‘anti-war’ photographer Mason Weaver, respectively, with support from Samuel L. Jackson as tough-as-nails military man Lt. Colonel Packard, John Goodman as the expedition’s scientific leader Bill Randa, Corey Hawkins as fellow scientist Houston Brooks, Toby Kebbell (Dawn of the Planet of the Apes) as Major Jack Chapman and John C. Reilly, on hand to provide doses of comic relief as Marlow, a marooned World War II pilot. The cast is further filled out by a set of largely forgettable ancillary characters.
The pace of Skull Island is fairly tight which for the most part is fine, but the journey to the mythical Skull Island and the expedition’s first encounter with its ‘King’ all happens a little too quickly. Some viewers might favour this, but it’s arguable that some extra time spent establishing the characters and a more steady build up to Kong’s reveal could have been of benefit. That being said, the titular ape’s introduction is pretty spectacular and does not disappoint.
Where Skull Island ultimately succeeds then, is in its visuals and creature conflicts. Whilst Skull Island itself lacks much of the mystery and creepiness of Peter Jackson’s version, it’s a suitably primal eco-system and Kong himself proves to be a magnificently realised creation, a towering behemoth (at 100ft tall this is the largest version of the ‘Eighth Wonder of the World’ ever to grace the screen) rendered in CGI with incredibly intricate detail, aided by the performance capture work of Terry Notary. Kong aside, there’s a decent range of creatures of varied design from giant stick insects and arachnids to the ominously named ‘Skull Crawlers’ that become the main threat to the central characters and provide Kong with a formidable foe to grapple with, leading to a final act that’s quite exhilarating.
Director Jordan Vogt-Roberts (currently tapped to helm the long gestating Metal Gear Solid feature film) handles the effects-driven action with relative ease and delivers some pleasing monster smack downs that will wow and thrill. The Vietnam era setting is also in the film’s overall favour and affords Vogt-Roberts the opportunity to evoke vibes of Apocalypse Now, made all the more indelible by some wonderful photography from Batman v Superman cinematographer Larry Fong. It also allows the otherwise disappointing script to inject a dash of well-placed satire.
Given Warner Bros.’/Legendary Pictures’ plans to develop a shared cinematic universe that will incorporate that other iconic screen monster – Godzilla – there are naturally some franchise connections within Skull Island, facilitated by the inclusion of the Monarch organisation that featured in Gareth Edwards’ Godzilla and fans are advised to stick around for a tantalising post-credits scene.
More of a blockbuster budgeted B-movie than a modern classic, Skull Island is undemanding fun that’s a little dumb yet occasionally rises to something greater via its visual effects and creature bashing action.
The bottom line: Entertaining and often exciting, Kong: Skull Island is let down by thinly drawn characters and some weak scripting yet succeeds with its visual thrills.
Kong: Skull Island is in cinemas now.