Bendis takes on the Man of Steel…
Written by: Brian Michael Bendis / art by: Ivan Reis, Joe Prado & Jason Fabok / colours by: Alex Sinclair
What’s it about?
A powerful threat from Krypton’s past looms as it’s Last Son prepares to face his greatest challenge…
Following his short stories in Action Comics #1000 and DC Nation #0, former Marvel writer Brian Michael Bendis presents his first full DC comic with The Man of Steel #1, commencing the weekly six issue series that will lead into Bendis’ run on Superman and Action Comics beginning next month.
Most would argue that Superman is in no need of a creative relaunch given that Patrick Gleason, Peter J. Tomasi and Dan Jurgens have been doing just fine with the character and given readers some of the strongest Superman comics since before the New 52. Coupled with the fact that some people love Bendis and more and more these days seem not to, it’s understandable that a number of fans will be approaching this title with caution. There needn’t be any worry because on the basis of this first issue, Brian Bendis clearly loves the character and has a strong handle on the Last Son of Krypton, whether he is soaring into the skies as protector of the innocent and vulnerable or seeking truth and justice as Daily Planet reporter Clark Kent. Unlike John Byrne’s 1986 Man of Steel mini series this one isn’t a reboot, just a little bit of a refresh and a new start without undoing any of the work produced over the last couple of years.
Bendis paces things gently in The Man of Steel #1 which functions very much as a scene-setter as he establishes the basics and teases the larger overarching narrative. Via flashbacks, we’re reintroduced to Rogol Zaar, the brutish new villain designed by Jim Lee and introduced in the Bendis/Lee short in Action Comics #1000 and whereas that dropped readers straight into an all-out brawl here we get more character depth, an idea of his motivations and ominous hints at an intergalactic conspiracy relating to the destruction of Krypton. Zaar could turn out to be both an imposing and personal threat for Superman (and his adopted home) with potentially high stakes so hopefully Bendis delivers.
Those set-ups aside, Bendis keeps things fairly simple (there’s some wordy exposition here and there but nothing too dense) as we see Supes tackle Gotham criminals Firefly and Killer Moth, out to cause trouble in Metropolis, whilst he investigates a series of electrical fires. In these scenes, Bendis nails the core tenets of the character – conveying that sense of strength and inherent good but also dipping into those subtle nuances of loneliness that can occasionally haunt him. Brian Bendis proves equally adept when dealing with Clark Kent as mild-mannered news reporter and family man, scenes with Lois and Jon being both heartfelt and fun.
The art by penciller Ivan Reis and inker Joe Prado (with Jason Fabok contributing the final two pages of the book) is pretty solid as is to be expected. There are a few spots where it feels a little rushed (and unfortunately the red trunks are still here) but otherwise it’s business as usual from the pair with powerful, emotive characters and beautifully composed environments enriched by Alex Sinclair’s colours.
Anyone expecting explosive all-out action and gripping drama from the outset will likely be disappointed by this premiere issue, but if every Superman (heck ,any) comic was like that it’d soon become boring, right? With The Man of Steel #1 Brian Michael Bendis and collaborators Ivan Reis, Joe Prado, Alex Sincalir and Jason Fabok provide readers with a taste of potentially exciting things to come.
The bottom line: A promising new beginning for Superman, The Man of Steel #1 demonstrates that Brian Michael Bendis has a good handle on the character and gives tantalising hints at what’s ahead.
The Man of Steel #1 is published by DC Comics and is available in print and digital formats now.