Shane Black takes the reigns for the newest addition to the ‘Predator’ franchise…
Starring: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Thomas Jane
Directed by: Shane Black / written by: Shane Black & Fred Dekker/ 107 minutes
What’s it about?
The crash-landing of an alien spacecraft leads to a fight for survival as a rag-tag group of ex-military personnel find themselves being hunted by a dangerous and lethal extra-terrestrial…
Along with the Alien and Terminator series, Predator is another franchise that refuses to die despite diminishing returns. Having said that, Predator 2 and Predators are actually pretty good so far as sequels go but a pair of underwhelming Alien vs Predator films sullies the overall quality.
Enlisting Iron Man Three director Shane Black to helm a new Predator instalment would surely give it instant potential, then? Sadly, The Predator proves more of a low point for the franchise than a triumphant return, a promising set-up and an interesting creative approach let down by a weak script and messy final act.
Boyd Holbrook (Logan) and Olivia Munn (X-Men: Apocalypse) are capable leads, the former as sniper Quinn McKenna – bringing the requisite dose of gruff alpha male – and the latter, convincingly, as biologist Dr. Casey Brackett. Joining them is a group of kooky military misfits, amongst them Thomas Jane’s Tourette’s-inflicted Baxley, the endlessly profane Coyle (Keegan-Michael Key) and the surprisingly stable ‘Nebraska’ Williams (Trevante Rhodes). Adding a touch of villainy is Black Panther’s Sterling K. Brown as Traeger, an oddly comical government agent with special interest in the mysterious Predators.
By giving us a set of oddball characters, The Predator seeks to draw the audience in and have viewers become emotionally invested and to a degree it works, proving most effective with an endearing performance by Jacob Tremblay as McKenna’s autistic son, Rory, who may hold the key to defeating their enemy.
There’s some misjudged (though perhaps necessary at this point) attempts to broaden the mythology of the Predators themselves which some may be receptive to and others may not as it removes some of the mystique surrounding the iconic alien hunters. Disappointingly, the ‘Super’ Predator seen in the pre-release trailers is nothing more than an oversized version of the original creature, although it does raise the stakes as the film progresses toward its denouement.
Making full use of its ‘R’ rating (certified ’15’ in the U.K.), The Predator is fairly bloody at times and its language littered with profanity which fans of the franchise would rightly expect. The film’s action is satisfying in places but, bar one or two moments, there’s a lack of tension – especially during the rushed finale that feels generic, choppy and uninventive.
It all feels like a bit of a missed opportunity and a genuine shame given Black’s history with the franchise, having played the part of Hawkins in the classic 1987 original as well as providing uncredited contributions to the script. The screenplay for The Predator, co-written by Black with Fred Dekker (RoboCop 3) is a little clichéd, with some embarrassing and dumb dialogue and an overreliance on humour – some of which provide genuine laughs but too much of which feels stilted.
The direction is fairly competent and it’s commendable that a slightly different approach for The Predator was sought, but ultimately the fusion of action, horror and humour doesn’t quite gel as successfully as it could have with stronger writing and better editing. As a result, The Predator is best watched more as a straight forward, slightly cheap action horror flick than a notable and essential continuation of the franchise.
The bottom line: A flawed sequel to a beloved classic, there’s some fun to be had with The Predator but its creative potential is squandered by some weak execution.
The Predator is in cinemas now.