Have You Seen… ‘2010’?

Film and TV you might not have checked out but really should…

2010

The spacecraft Discovery encounters “something wonderful” in 2010 (image credit: MGM, used for illustrative purposes only).

Year: 1984

Starring: Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban, Keir Dullea, Douglas Rain

Directed and written by: Peter Hyams

What’s it about?

As tensions between the United States and Russia approach boiling point, Dr. Heywood Flloyd joins a Russian expedition to Jupiter in an effort to uncover the mysteries surrounding the ill-fated Discovery mission and the enigmatic object known as the monolith…

In review – why you should see it

2010 is the sequel to Stanley Kubrick’s science fiction classic 2001: A Space Odyssey and based on Arthur C. Clarke’s novel, 2010: Odyssey Two. With the stature of 2001 in mind, 2010 (marketed with the subtitle “The Year We Make Contact”) would seemingly have the odds stacked against it, yet, despite being inferior to Kubrick’s film and Clarke’s novel, Peter Hyams’ (Capricorn One) film is still an overlooked slice of superior, cerebral SF.

Taking 2001 as a launching point, 2010 continues the story in a very entertaining and imaginative way and ably directed by Hyams, who also serves as screenwriter and cinematographer – delivering some striking images that are comparable with those of Kubrick’s. Whilst the screenplay adheres to the overall narrative of the novel there are some departures (undoubtedly for budgetary/creative reasons), the most significant being the conflict between the United States and Russia which was not a theme in Clarke’s story and which, despite some stereotyping and Cold War clichés indicative of the times, is a logical and valid component of Hyams’ adaptation and provides tension and drama whilst delivering some prescient commentary of real world issues. The film’s hopeful conclusion sends an important message that, sadly, still has resonance today but offers a grander perspective of humanity’s place in the universe and leaves the viewer with a sense of optimism and wonder.

The cast portray their characters well, with enjoyable performances from Roy Scheider (whose genre credits to this point included Jaws and Blue Thunder), succeeding William Sylvester in the role of Dr. Flloyd and John Lithgow as the likeable all-American engineer, Walter Curnow as well as the welcome return of Douglas Rain who voices the Discovery’s troubled A.I. computer system, HAL (the reasons for his malfunction revealed with some slight retconning) and a mysterious cameo from Keir Dullea as ‘Bowman’. Rounding out the central cast is Helen Mirren who stars as Tanya Kirbuk, commander of the Russian spacecraft Leonov and Bob Balaban as computer expert Dr. Chandra, both of whom share a number of good scenes with Scheider. Chandra also has memorable interplay with HAL as he reactivates the supercomputer and establishes a trusting relationship with it. Glimpses into Flloyd’s home life during the opening act and the subsequent narrations thread throughout as he transmits messages to his wife and son back on Earth add greatly not just to Scheider’s character but also to the film’s emotional core. It’s to Hyams’ credit that he injects a lot of characterisation into proceedings, something that would not have worked for 2001 but is in harmony with the more human-focused approach taken with 2010, which seeks to provide answers (and establish its own mysteries – the possibility of life on Jupiter’s moon Europa, the status of Bowman and the warning of an incredible event) without detracting from the overall enigma of Kubrick’s masterpiece.

2010 is a highly enjoyable continuation of the Space Odyssey story with some entertaining human drama and edge-of-the-seat tension as the film reaches its climax. If you like imaginative high concept science fiction (or indeed read the novel) then it’s well worth your time.

Geek fact!

David Bowman’s last transmission “My god…it’s full of stars”, utilised in 2010, was never spoken in the film version of 2001 but the line was featured in Arthur C. Clarke’s novel.

Also worth a look…

Interstellar : in a similar vein to 2010, Christopher Nolan’s science fiction epic (which coincidentally also features John Lithgow in its cast) combines scientific theory with speculative fictional concepts, grounded in strong character drama.

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Film Review: ‘Reign of the Supermen’

The Man of Steel’s potential successors rise in the latest DC animated feature…

Reign of the Supermen

The ‘Eradicator’ continues the late Superman’s fight against crime in the DC/Warner Bros. Animation release, ‘Reign of the Supermen’ (image credit: DC Entertainment/Warner Bros. – used for illustrative purposes only).

Spoiler-free review

Starring (voices): Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Patrick Fabian, Charles Halford, Cameron Monaghan, Cress Williams

Directed by: Sam Liu / written by: Tim Sheridan and Jim Krieg

What’s it about?

Six months after the death of Superman, Metropolis is stirred by the appearance of four new ‘Supermen’…

In review

Concluding the story which began with last summer’s The Death of Superman, DC Entertainment and Warner Bros. Animation present Reign of the Superman, a fun and enjoyable adaptation of the 1993 comic book arc. Picking up six months after Superman’s death following his defeat of the Doomsday creature, the world continues to mourn the loss of the beloved Man of Steel as the citizens of Metropolis are swept up in a media frenzy when four supposed ‘Supermen’ begin to appear – the wise-cracking, Lex Luthor sponsored clone who hates to be called ‘Superboy’ (Gotham’s Cameron Monaghan), the armoured champion of justice known as ‘Steel’ (aka John Henry Irons – voiced by Cress Williams, star of the CW’s Black Lightning), the mysterious yellow-visor wearing ‘Eradicator’ (Charles Halford) and the part organic, part machine ‘Cyborg Superman’ (Jerry O’Connell/Patrick Fabian). As each of these Supermen make their claim as to who may be the rightful successor to the fallen Last Son of Krypton, a looming threat from the stars places humanity in the path of a danger from which it has little hope of surviving…or do they?

Overall, Reign of the Supermen does a decent job of condensing the narrative of the original comics (which ran over the course of several months and numerous different titles) into its 89 minute running time. It does at times feel a little overstuffed and the various sub-plots and characters are not as fully developed as they could have been, particularly in the case of John Henry Irons/Steel and the Eradicator but it never feels jumbled or incoherent. There may have been a case for a further instalment to fully flesh things out and provide some breathing space but Reign of the Supermen works well enough as is and is still able to deal with the “World Without a Superman” part of the story sufficiently in its opening act, with some heartfelt moments between Lois and Jonathan and Martha Kent and an amusing yet poignant scene with Perry White (Rocky Carroll) in the Daily Planet offices. The Justice League once again play their parts (although it continues to be odd that, as with The Death of Superman, Hawkman is present but with no lines of dialogue) although the script wisely removes them from the action until the final act so that there’s more focus on the main story.

It’s difficult to discuss the plot of Reign of the Supermen in more detail without delving into spoilers but for those familiar with the comics, the film adheres fairly closely to the source material with a few original additions (and an alteration to the central threat) and it all leads to an exciting and action packed climax, a neat homage to Superman’s cinematic past and a tantalising tease of things to come in the DC animated universe.

The voice cast is solid and are served well by Tim Sheridan and Jim Krieg’s screenplay, the particular highlights being Rebecca Romijin who delivers a warm but strong portrayal of Lois Lane (bolstered by her scenes with Rosario Dawson as Lois builds a budding friendship with Diana Prince/Wonder Woman), Cameron Monaghan – bringing the arrogant, care-free and quippy Superboy fittingly to life and Cress Williams, applying the right qualities of inherent goodness and heroism to John Henry Irons/Steel. Rainn Wilson once again infuses Lex Luthor with the appropriate level of menace and deviousness but it’s still hard not to miss Clancy Brown in the role which he defined so definitively in Superman: The Animated Series.

The animation and character designs are good and the action (always a high point with these animated DC films) thrilling, all skilfully guided under the direction of Sam Liu – who also helmed The Death of Superman (with Jake Castorena) and many previous DC animation projects including Batman: Year One and Justice League vs Teen Titans resulting in an entertaining package that, when coupled with The Death of Superman creates a pleasing adaptation of the iconic story.

The bottom line: an enjoyable conclusion to the “Death of Superman” arc, Reign of the Supermen is a successful adaptation of the 1990s comic book story.