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“Ash, can you see this?”
Starring: Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto
Directed by: Ridley Scott / written by: Dan O’Bannon (story by Dan O’Bannon & Ronald Shusett)
What’s it about?
Investigating the source of a mysterious transmission, the crew of a commercial starship discover a derelict alien craft which houses a deadly cargo…
In review: why it’s a classic
Carrying the ominous tagline “In Space No One Can Hear You Scream” and celebrating its fortieth anniversary this year, Ridley Scott’s classic science fiction horror, Alien remains one of the all-time greats of cinema. Growing from an idea by screenwriter Dan O’Bannon (originally titled “Star Beast”), Alien sees the crew of the deep space commercial towing vehicle Nostromo awakened from hibernation when the ship’s computer intercepts a transmission of unknown origin. Tracing the signal to a nearby planetoid, the crew touch down and discover a gigantic vessel where an encounter with a parasitic organism leads to unforeseen horrors and a fight for survival against a relentlessly lethal alien life form.
Alien is a benchmark in both science fiction and horror, but whilst there are otherworldly elements and futuristic (but credible) technology, much like Star Wars before it, there is a worn, lived-in quality to the production in respect of the Nostromo and its equipment. This sense of believability extends to the memorable characters of Alien – essentially wary space truckers bickering about bonuses and regulations, sharply written and wonderfully acted by the cast – comprising Sigourney Weaver in her breakout role as Lt. Ellen Ripley (in turn creating one of the most iconic screen heroines), Tom Skerritt as Captain Dallas, John Hurt as Kane, Ian Holm as science officer Ash, Veronica Cartwright as Lambert and Harry Dean Stanton and the excellent Yaphet Kotto as engineers Brett and Parker, respectively.
Another standout aspect of Alien is undoubtedly the incredible ‘bio-mechanical’ designs of Swiss artist H.R. Giger, startling and unsettling gothic creations used to bring the Alien and its world – principally the mysterious derelict ‘bone’ ship found by Dallas and co – nightmarishly to life. The central creature itself (which would become known as a ‘xenomorph’ in James Cameron’s outstanding 1986 sequel, Aliens) is a thing of horrific beauty, intricately detailed and all the more terrifying thanks to Carlo Rambaldi’s Alien head effects and Bolaji Badejo’s simple but effective performance, making it something more than just the staple ‘man inside a rubber suit’ of old SF and horror ‘B’ pictures. With Giger’s work and Michael Seymour’s production design there’s a lot of fine craftmanship on display and coupled with the meticulous model and miniature effects (the team including Brian Johnson, who had previously worked on 2001: A Space Odyssey and on Gerry Anderson’s Space: 1999 television series) that provide a tangible sense of reality in a way that CGI just cannot replicate.
Scott’s direction is flawless, gently leading the viewer through darkness and shadow then catching them off guard with several shocks and scares. That approach, with the serious attention to detail and ambition for the project, coupled with Giger’s designs lifts Alien above the more primitive and potentially schlocky imaginings of Dan O’Bannon’s initial concept. Music is of equal importance and Jerry Goldsmith’s eerie, tense and atmospheric score is the perfect complement to the visuals, accentuating all the terror, unease and chills of Scott’s unforgettable haunted house in space.
Exploring the cavernous belly of the derelict alien ship, Kane stumbles across a cargo of egg-like objects. Taking a closer look at one of the eggs, Kane sees signs of movement from within…
H.R. Giger would later contribute designs of the xenomorph in director David Fincher’s second sequel, Alien 3.
If you like this then check out…
Aliens : James Cameron’s sequel pays reverence to Scott’s film without repeating it as Lt. Ripley returns to the planet where her nightmare began with a unit of marines.
Predator : a spiritual sibling to Alien, John McTiernan’s science fiction action classic sees Arnold Schwarzenegger and his crack military team being hunted by a deadly extra-terrestrial.
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