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“From this moment on…none of you are safe”
Written by: Frank Miller / art by: David Mazzucchelli / colours by: Richmond Lewis
What’s it about?
As Gotham City faces endless crime and corruption, billionaire Bruce Wayne decides to adopt the vigilante persona of ‘the Batman’ and soon learns he may have an ally in Gotham Police Lieutenant James Gordon…
In review: why it’s a classic
Subsequent to the culture shattering success of The Dark Knight Returns, “Year One” is Frank Miller’s other – no less significant – seminal Batman work. Originally published as a four-part story arc in Batman (volume 1) issues #404-407 and collected numerously over the past thirty years, Batman: Year One, as the title suggests, chronicles the Dark Knight’s first year of crime-fighting in Gotham City. Written by Miller, with art by David Mazzucchelli (who also collaborated with Miller on the iconic Daredevil story “Born Again”) and colours by Richmond Lewis, Year One is a perfect companion piece to The Dark Knight Returns. Although Year One is a more grounded and less politically charged affair than that former work (which takes place out of the regular continuity in an alternate 1980s), there is a clear sense that they share the same DNA.
A Batman tale infused with influences of detective noir and classic crime fiction, Year One (which itself would go on to influence director Christopher Nolan’s Batman Begins) sees the return of Bruce Wayne to his home after several years away, discovering that things have only gotten worse as criminal gangs – spearheaded by mob boss Carmine Falcone aka “The Roman” – and dishonest officials feed the societal decay afflicting the people of Gotham City. Whilst Year One depicts the beginnings of Bruce Wayne’s rise as the Batman, it’s equally a story about future police commissioner James Gordon, newly transferred to the Gotham City Police Department who, faced with a corrupt police system and bent colleagues on the take, fights to preserve the values of the good and freely practice the true and trusted responsibilities of law enforcement. Miller deftly builds and intertwines this dual narrative as destiny draws both Wayne and Gordon together – kindred souls on different sides of legality ultimately battling for the same cause.
What is especially appealing about Year One is that Miller is not afraid to explore the frailties of the central heroes, which only makes the characters richer and more relatable. Bruce continues to be haunted by the murder of his parents, his anger fuelling his war on crime and the actions he undertakes as he becomes a feared creature of the night. He’s far less brutal than the elder and more grizzled man he is in The Dark Knight Returns (and in fact commits several heroic acts in the story, including saving the life of Gordon’s son) but the seeds are planted here. Gordon himself is inherently a decent man working hard to protect all that he loves and values but despite being a devoted husband and father succumbs to an affair with his GCPD partner, Sarah. Selina Kyle is less clear cut, a prostitute and thief who decides enough is enough and that those less fortunate need not fear the criminal gang hierarchy as she begins to adopt a certain feline-fatale vigilante persona of her own.
Year One is beautifully realised by David Mazzucchelli (whose Bruce Wayne bares a nifty resemblance to Hollywood legend Gregory Peck) with a clean, classic pulp style that’s moodily enhanced by the nuances of Richmond Lewis’s colour palette, giving the visuals an appropriate film-noir appearance. It’d also be remiss not to mention the lettering by Tod Klein, which is especially effective in the monologues, adding to the poetic quality of Miller’s writing all making for one of the all-time greatest Batman stories.
Injured and forced into the basement of a dilapidated building, Batman faces capture as a SWAT team closes in on him…but they didn’t reckon on his ingenuity as he calls for ‘backup’.
Ben Mackenzie, who portrayed James Gordon in Batman prequel series Gotham provided the voice of Bruce Wayne/Batman in the 2011 animated adaptation of Year One.
If you like this then check out…
Batman: The Dark Knight Returns : considered by many as Frank Miller’s magnum opus that’s not just a phenomenal, operatic Batman story but also a landmark in comics and pop culture.
Batman: The Killing Joke : Alan Moore and Brian Bolland’s iconic Joker story is a stark, shocking and dramatic affair and presents a possible origin for the homicidal and psychotic Clown Prince of Crime.
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