DC’s Rebirth collides with the world of Watchmen…
Written by: Geoff Johns / pencils and inks by: Gary Frank / colours by: Brad Anderson
What’s it about?
In an alternate 1992, as the U.S. is on the verge of nuclear war, the vigilante ‘Rorschach’ sets about assembling a team to save the world…
Here it is – the much mooted (perhaps feared) collision of the current DC Comics universe and the alternate world of Alan Moore and Dave Gibbon’s undisputed and eternally celebrated series Watchmen. First teased in last May’s DC Universe: Rebirth #1 and touched upon further in the brief Batman/Flash crossover “The Button” from earlier this year, Doomsday Clock #1 begins the culmination of one of the most daring projects DC Comics has ever attempted to tackle.
The first chapter of a twelve issue maxi-series, Doomsday Clock #1 is both a beautifully constructed homage to the original Watchmen and a worthy successor. There could be no better creative team to bring this story to life, Geoff Johns – DC’s premier writer – and Gary Frank – one of the most exciting artists working in comics today – (both of whom have collaborated before on the critically acclaimed Superman stories “Secret Origin” and “Brainiac”) are a match made in heaven. Whilst this first issue takes a slow-burn approach that doesn’t immediately thrust the narrative into the impending conflict between two universes, it’s a welcome one as Johns takes the time to immerse the reader in the gloomy dystopia of the world created by Moore and Gibbons and remind us of those elements that made that particular series such a masterwork, it’s simple, yet effective panel construction, focused dialogue and narration and political and social commentary faithfully replicated. It’s seven years since the end of Watchmen as we follow Rorschach (who of course died…so how does he exist here? You’ll have to read to find out) as he seeks to assemble a new team to once again save a world that’s still under threat from crime, international conflict and a U.S. President driven by ego and his own interests (Johns’ substitution of President Redford for Trump being glaringly obvious).
The writing is great and the strong, cinematic visuals are the icing on the cake, Gary Frank’s realistic and detailed layouts enhanced by the rich and moody palette of Brad Anderson’s colours. It’s a comic that looks and feels like the true Watchmen sequel this is, as for how things tie into the main DC universe, Doomsday Clock #1 provides a small but significant taste of what’s to come…we yearn to see the inevitable confrontation between Superman and Doctor Manhattan but good things come to those who wait and Geoff Johns clearly wants to take us on a journey and one that has the potential to become a modern classic in its own right.
The bottom line: A gripping and compelling read, Doomsday Clock gets off to a strong start thanks to a phenomenal creative team.
Doomsday Clock #1 is published by DC Comics and is available in print and digital formats now.