Comic Review: ‘Justice League’ #40

Writer Robert Venditti takes on DC’s premier superhero team… 

Justice League #40

Cover art by Bryan Hitch & Jeremiah Skipper (image credit: DC Comics).

Written by:  Robert Venditti / pencils by:  Doug Mahnke / inks by:  Richard Friend / colours by:  David Baron

What’s it about?

“Impact” Part 1 : crashing to Earth, ex-Green Lantern Corps member Sodam Yat delivers a stark warning of an incoming invasion to the Justice League, lead by an old foe of Superman’s…

In review

Hal Jordan and the Green Lantern Corps and Hawkman writer Robert Venditti takes the reigns of DC’s leading team-up title Justice League as issue #40 presents a fresh start with the first chapter of a new story arc, “Impact”.  Venditti’s tenure follows a largely enjoyable run written by Scott Snyder and James Tynion IV and with Justice League #40, necessarily scales things back a little and neatly streamlines the superhero group’s roster to a core line-up of Superman, Batman, Wonder Woman, The Flash and John Stewart’s Green Lantern.  It seems that Snyder’s close to issue #39 may not have been what readers may have expected – a cliffhanger of sorts (that in hindsight maybe wasn’t?) – as it isn’t addressed by Venditti who instead favours a clean break whilst acknowledging recent events in the wider DC Universe, such as Superman’s reveal of his true identity to the world (in last December’s Superman #18 by Brian Michael Bendis and Ivan Reis).  After the mind-bending plethora of ideas infused into the book by Messrs Snyder and Tynion it’s an appropriate reset that allows ongoing readers to re-orientate themselves and provide an access point for new fans to jump onboard – and it generally works (there is of course a lot going on in the DC canon of late), making for a solid first issue for the new Justice League writer.

Robert Venditti builds an entertaining and appealing opening instalment of “Impact”, quickly demonstrating his knowledge of the DCU and the characters he utilises for Justice League – with an effective grasp of the familiar dynamics between the various heroes (the conflicted but brotherly Batman/Superman interplay providing some small but key moments).  It may be quite a wordy narrative, and a great deal of the issue is merely setting the stage, but there’s still a decent helping of action to accompany the drama, tension and the high stakes (dialling things back to the more manageable and comprehensive playing field of a single universe) established, wasting no time in introducing a new threat for the League to face: the return of the Eradicator – the cold and ruthless Superman clone who debuted during “Reign of the Supermen” in the 1990s.  Receiving warning from former Green Lantern, Daxam’s Sodam Yat, who crashes to Earth, the Justice League learns the news that the Eradicator has engineered an army of Daxamites free from their Kryptonian vulnerabilities and plans to decimate the planet, beginning a campaign of conquest across the universe.  The Eradicator can often be overlooked and perhaps underrated as a Superman villain and Venditti affirms that in the right hands he can be a powerful (both literally and figuratively) antagonist, without violating the known traits of the character and is bound to provide a significant challenge for our heroes to unite against.

The art by penciller Doug Mahnke (with inks by Richard Friend and colours by David Baron) is very good and although there are some rough and sketchy spots here and there, it’s a great looking comic that’s visually epic and exciting in all the right instances with the more confined, character-focused scenes being equally well-defined and together with Venditti’s script it all keeps the reader engaged and provides plenty of anticipation for what’s to come.

The bottom line:  Robert Venditti takes up writing duties on Justice League and with penciller Doug Mahnke delivers a solid first chapter of a new story arc that promises high stakes for DC’s core heroes.

Justice League #40 is published by DC and is available in print and digital formats now.

Images used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Comic Review: ‘Justice League of America’ #1

Written and pencilled by:  Bryan Hitch

What’s it about?

Receiving a mysterious invitation from a group known as the Infinity Corporation, Superman is soon united with the rest of the Justice League to face the dangerously overpowered Parasite…and the arrival of an alien armada…

In review

This week saw the launch of DC Comics’ much hyped (and equally anticipated) new Justice League title, Justice League of America from comics uber legend Bryan Hitch.  Best known for his collaboration, as artist, with writer Mark Millar on The Ultimates – the celebrated and influential reimagining of Marvel’s Avengers – Hitch now brings his talents as both penciller (aided by inks from Andrew Currie, Daniel Henriques and Wade von Grawbadger) and writer to the DC Comics Universe.

Reportedly years in the planning and not to be confused with DC’s short-lived New 52 Justice League spin-off of the same title, Bryan Hitch’s Justice League of America kicks off with a an extra-sized premiere issue that strikes an effective balance between character, story and epic action.  Titles from a single writer/artist have often been middling at best (Tony Daniel’s creatively flawed run on Detective Comics springs to mind, as does David Finch’s now defunct Batman: The Dark Knight) yet overall, Hitch has managed to deliver a solid first issue.

Whilst this issue largely focuses on Superman and the shocking discoveries he makes at the mysterious Infinity Corporation it’s not long before the Man of Steel is united with Batman, Green Lantern, Flash, Wonder Woman and Cyborg to face the threat of an overpowered and oversized version of Parasite.  That just leaves Aquaman, who has his own separate sub-story focusing on tensions between the mainland and Atlantis that will no doubt have some bearing on what’s to come in subsequent issues.

Hitch is an effective storyteller, as a writer he adeptly builds the foundations of the story and its unfolding mystery and for the most part accurately captures the voices of the central DC Comics heroes as well as delivering the epic widescreen visuals and action that will both delight and excite readers.  It’s an unenviable and herculean task but, the odd character niggle (there are brief moments where Batman seems a little too maniacal) and artistic ‘glitch’ (the odd weakness in Hitch’s figure work/character facials), Hitch generally pulls it off.  It doesn’t quite hit the heights of Throne of Atlantis but it’s more than commendable and far above your average superhero comic.

The undisputed talents of Bryan Hitch aside, what’s great about Justice League of America is its accessibility.  Whilst running concurrently with Geoff Johns’ main Justice League book, Hitch’s title isn’t too entrenched in the continuity of the ongoing events of the wider DC Universe making it easy for new readers (or those who are somewhat behind with DC’s ‘New 52’, like myself) to get on board and enjoy these characters and a decently entertaining, action packed superhero yarn – here’s hoping Hitch can maintain the quality and, perhaps even surpass it, in issues to come.

The bottom line:  Bryan Hitch’s Justice League of America is off to a promising start with an exciting and epic premiere issue that’s sure to entice readers enough to come back for more.

Justice League of America #1 is published by DC Comics and is available in print and digital formats now.

Cover art by Bryan Hitch for DC Comics' 'Justice League of America' #1.

Cover art by Bryan Hitch for DC Comics’ ‘Justice League of America’ #1.