Comic Review: ‘Batman/Superman’ #1

The greatest team-up in comics returns…

Batman Superman #1.jpg

Cover art by David Marquez (image credit: DC Comics).

 

Written by:  Joshua Williamson / art by:  David Marquez / colours by:  Alejandro Sanchez

What’s it about?

Batman and Superman unite to grapple with the deranged Dark Multiverse villain, the Batman Who Laughs as he transforms their comrades into ‘the Infected’, his horrifying horsemen…

In review

Spilling out of the pages of the recent The Batman Who Laughs mini-series (by writer/artist duo Scott Snyder and Jock), Joshua Williamson, current writer of DC’s The Flash, teams up with artist David Marquez (who previously worked on Marvel’s The Invincible Iron Man and Civil War II) for a new Batman/Superman series, a title that’s been sorely missing in the post-Rebirth era of the DC Universe.

Given that this first arc takes it’s lead from The Batman Who Laughs, pitting the Dark Knight and the Man of Steel against the terrifying schemes of the twisted Dark Multiverse Batman, Batman/Superman #1 has a more gothic, horror infused tone to it than previous Bat/Supes team-up books and although that may leave it ‘feeling’ more like a Batman comic in some respects, it’s immediately clear that Joshua Williamson is perfectly suited as writer of the series.  Williamson quickly proves adept at handling the big two of DC’s pantheon, ensuring the focus is equally split whilst demonstrating an understanding of the established (and expected) traits and qualities of each character and the dynamics of their relationship, given the differences in viewpoints.  Most of these explorations occur via the dual narration/monologues that run throughout the book, although this is nothing new in any iteration of Batman/Superman (or Superman/Batman as it was before the New 52), it is part of the creative make-up of the title and really gives the reader a feel for what motivates the heroes and reasoning as to why, despite their opposing views and methods in the pursuit of justice, Batman and Superman continue to be allies – and more importantly, brothers.

As with any debut issue, there’s a certain amount of exposition in Batman/Superman #1 in order to establish the characters and the main narrative, but Williamson manages to keep things relatively tight, coherent and moving at a steady pace – the central plot and the investigations by Batman and Superman building gently throughout, drawing the reader into the action neatly without it rushing the story along or hindering its momentum.  It’s unfortunate that DC spoiled the closing twist of the book in their marketing but whether you’re familiar with that or not, the issue remains a gripping and suspenseful read.

Making the move from Marvel Comics to DC, David Marquez produces superlative visuals, rendering powerful characters and cinematic layouts – adding an ever so slight element of grit to his beautifully detailed pencils that’s fitting for the tone of the comic, keeping it moody and atmospheric in all the right places whilst creating exciting and clearly staged action scenes.

The bottom line:  It’s been too long since we’ve had a Batman/Superman comic and it’s off to a confident and reassuring start under the perfectly matched creative team of Joshua Williamson and David Marquez.

Batman/Superman #1 is published by DC and is available in print and digital formats now.

Images used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Comic Review: ‘The Invincible Iron Man’ #600

It’s a farewell from Brian Michael Bendis as he caps off his run on The Invincible Iron Man…

 

Inv Iron Man #600

Cover art for Marvel’s The Invincible Iron Man #600 by Chris Sprouse (image belongs: Marvel Comics, used for illustrative purposes only).

 

Warning! Contains Spoilers.

Written by:  Brian Michael Bendis / Art by:  Stefano Caselli, Alex Maleev, David Marquez, Daniel Acuna, Leinil Francis Yu & Gerry Alanguilan, Jim Cheung, Mike Deodato Jr, Mark Bagely, Andrew Hennessy & Scott Hanna, Andrea Sorrentino / Colours by:  Marte Garcia, Alex Maleev, Daniel Acuna, Guru-eFX, Romulo Fajardo, Marcelo Maiold & Rachelle Rosenberg

What’s it about?

“The Search for Tony Stark” Finale : Tony Stark emerges from the shadows as Iron Man returns to face the threat of the Hood and a face from the past…

In review

The 600th issue of The Invincible Iron Man is a milestone for more than one reason, the book’s numeric value aside it’s not only the conclusion to Brian Michael Bendis’ run on the title (which commenced in 2015) but also the prolific writer’s final comic for Marvel (for the foreseeable future at least) as he departs for DC after working at the ‘House of Ideas’ for almost twenty years.

The Invincible Iron Man #600 serves as a fitting, albeit slightly muddled and not overly spectacular final chapter in “The Search for Tony Stark”.  It’s not the greatest comic Bendis has ever written, nor is it an out-and-out classic issue of The Invincible Iron Man but it does the job adequately.  Following the events of issue #599, Tony Stark is back and ready for action as he faces a hostile takeover of Stark Industries, a threat from Hydra and demons from the past as Riri Williams must decide where her future lies now Iron Man has returned and Victor Von Doom seeks retribution.

Where The Invincible Iron Man #600 does succeed is in its revelations, chiefly the resurrection of Rhodey (who had fallen at the hands of Thanos in Civil War II) – this could be a huge spoiler for some (hence the warning at the head of the review) but surely most readers will have been expecting it, given that very few characters ever die and then remain so in comics…notwithstanding that the issue’s cover can be seen as a giveaway.  Anyway, it’s handled brilliantly being both emotionally satisfying and funny and no doubt we’ll be seeing more of Rhodey/War Machine in Dan Slott’s forthcoming run.

There’s a tragic and heart-wrenching climax to Victor Von Doom’s tenure as the ‘Infamous’ Iron Man and one that may precipitate his return to a more villainous path – another area for Dan Slott to explore with the impending Fantastic Four relaunch.  The return of Stark’s biological father (see the International Iron Man limited series), Jude also adds to the drama whilst helping to bring things full circle.

The Invincible Iron Man #600 does become a little jumbled though.  Despite its increased page count there is so much going on and barely enough space, although the pacing never feels rushed.  It can also be a bit of a trying read at times, much of the book is narrated by the A.I. version of Tony Stark and it’s quite dense as Brian Michael Bendis packs in a lot of exposition that serves to both recap events of his entire Iron Man saga and set the stage for the future.

There’s still room reserved for some action, the highlight of which is Stark’s attack on the Hood and his gang as he fights to prevent Stark Industries from falling into enemy hands, Jim Cheung’s beautiful double-page splash featuring numerous past Iron Man armours – evoking memories of Iron Man #300’s Iron Legion.

The expanded roster of artists is a little tricky, granted some of Marvel’s strongest talent has been engaged here and it’s a particular pleasure to see David Marquez contribute but it’s a shame that the whole book couldn’t have simply been divided up between Stefano Caselli and Alex Maleev in the same manner as previous issues, but it’s perhaps partly necessitated by the jump to 42 pages.  Still, it’s fairly consistent overall but the random jump between artists can be a little jarring.

In the end, it feels like Brian Michael Bendis may have had more up his sleeve for Marvel’s Iron Avenger but with his time at Marvel now up we can only see what’s in store with Dan Slott’s Tony Stark:  Iron Man.  The Invincible Iron Man #600 isn’t perfect but Bendis has produced a memorable run on the character (and given us Riri Williams in the process) and although it’s not as fulfilling as it could have been, there are certainly some good moments within.

The bottom line:  “The Search for Tony Stark” comes to an end in Brian Michael Bendis’ flawed but enjoyable final issue of The Invincible Iron Man.

The Invincible Iron Man #600 is published by Marvel Comics and is available in print and digital formats now.

Comic Review: ‘Civil War II’ #8

Written by:  Brian Michael Bendis / pencilled by:  David Marquez

What’s it about?

As the visions of Ulysses become more intense, Tony Stark and Carol Danvers face off with the future of the entire superhero community at stake…

In review

After numerous delays, Marvel’s blockbuster event draws to a close with the extra-sized final issue of Civil War II.  Showing great promise in its first couple of issues, Civil War II quickly slid comfortably into a by-the-numbers comic event rhythm.  That being said, the event did produce some standout moments (the vision of Miles Morales’ Spider-Man killing Steve Rogers’ Captain America on the steps of Capitol Hill being particularly vivid and unnerving) and David Marquez’s art has elevated each instalment above mediocrity, but on the whole it failed to be anywhere near as ground-breaking as Mark Millar and Steve McNiven’s original Civil War.

In favour of this final issue, Brian Michael Bendis and David Marquez deliver some exciting edge-of-the-seat action with Bendis maintaining the tension and drama and Marquez presenting his amazingly detailed, blockbuster visuals as the conflict between Tony Stark/Iron Man and Carol Danvers/Captain Marvel reaches its climax.  As with previous issues the moral debate is touched upon but never fully explored (a shame considering the strength of some of Bendis’ other work) and ultimately taking a backseat to those aforementioned blockbuster elements.

Given that the delays Civil War II has faced meant its finale following the release of several relaunched ‘Marvel Now!’ titles, the conclusion – specifically the fate of Tony Stark – is unsurprising given what we’ve seen in Infamous Iron Man and Invincible Iron Man but it non-the-less still carries some dramatic weight as the path is paved for the future of the Marvel Universe.  Perhaps that’s where the problem lies, with the need to establish the status quo of Marvel’s latest line-wide shake-up it’s left less room from Brian Bendis to really delve into the commentary of Civil War II.

In the end, taken as a whole Civil War II was an enjoyable albeit undemanding blockbuster event that is unlikely to be heralded as a classic in years to come but may still be worthy of a revisit when the dust has settled.  It’s not the greatest story Marvel has delivered in recent years but it’s also far from the weakest.

The bottom line:  Whilst Civil War II ultimately failed to live up to the potential of its premise, this final issue succeeds in delivering some great moments of action and drama with a fitting conclusion that establishes the future of the Marvel U.

Civil War II #8 is published by Marvel Comics and is available in print and digital formats now.

Marvel's grand event comes to a close in the final issue of Civil War II (cover art by David Marquez).

Marvel’s grand event comes to a close in the final issue of Civil War II (cover art by David Marquez).

Comic Review: ‘Civil War II’ #1

Written by:  Brian Michael Bendis / pencilled by:  David Marquez

What’s it about?

With the emergence of a new Inhuman with the ability to see future events, Captain Marvel believes that this gift should be used to counter danger before it arises…

In review

The battle lines are drawn once again in the Marvel Comics universe as the opening chapter of the highly anticipated Civil War II event lands with a bang.  Following the prologues of the Free Comic Book Day special and issue #0, the extra sized Civil War II #1 is a promising start for Marvel’s latest event that hopes to repeat the success of Mark Millar and Steve McNiven’s original Civil War of ten years ago.  Whilst the saga is only just beginning, so far any initial concerns that Civil War II would merely retread what has gone before can be safely put to one side.  Just as Civil War II features a slightly varied and expanded set of players and their respective affiliations (encompassing groups such as the Avengers, New Avengers, the Ultimates and the Inhumans) it also offers a different set of ethical debates and character viewpoints in comparison to the original Civil War.

The central debate in Civil War II concerns new Inhuman Ulysses who is plagued with visions of the future and whether that knowledge should be utilised to prevent catastrophe and safeguard the innocent or that it could in fact alter events in such a way as to create even more danger.  As leader of the Ultimates, Carol Danvers’ Captain Marvel firmly believes that future threats should be tackled before they can arise, a case which is supported by the opening battle against a Celestial invasion force which leaves the Marvel heroes victorious.  Somewhat surprisingly, it’s Tony Stark who takes the opposing stance, ever the futurist who now finds those values in question when considering the consequences foreknowledge of a possible future could hold.  Stark’s side of the argument is upheld when the superhero community is hit by a tragedy none of them could see coming and sets the stage for the rest of Civil War II.

With a script packed with drama, emotion and punchy dialogue, Brian Michael Bendis provokes those aforementioned ethical debates without being overly preachy, presenting identifiable viewpoints from both sides, which may make it much harder to choose sides this time around.  Visually, this is a stunning book with Bendis enlisting the talents of former Invincible Iron Man penciller David Marquez and colourist Justin Ponsor.  Marquez provides lavishly detailed layouts with energetic and epic action scenes – accentuated beautifully by Ponsor’s vivid colours – together with dynamic character work that evokes the right level of ‘feeling’ to those moments of emotion and drama.  Marvel’s latest blockbuster comic event is in safe hands.

The bottom line:  As first issues go, Civil War II shows great potential for Marvel’s latest event with excitement and drama delivered by a trusted creative team.

Civil War II #1 is published by Marvel Comics and is available in print and digital formats now.

Marvel's latest event kicks off in 'Civil War II' #1 (cover art by Marko Djurdjevic).

Marvel’s latest event kicks off in ‘Civil War II’ #1 (cover art by Marko Djurdjevic).

Comic Review: ‘Invincible Iron Man’ #1

Written by:  Brian Michael Bendis / pencilled by:  David Marquez

What’s it about?

Tony Stark returns to action with a new suit of armour as a new threat from an old face looms…

In review

Marvel’s All-New, All-Different initiative is now underway and the comic book publisher (and overall entertainment behemoth) have teamed up the successfully tried and tested Ultimate Spider-Man creative team of Brian Michael Bendis and David Marquez to lead the charge for what is intended to be their flagship title, Invincible Iron Man.

With so many corporate minded resets/relaunches within the comic book industry these days, it’s hard for even a writer of Bendis’ calibre to deliver a brand new first issue of a title that feels fresh and innovative – especially when dealing with a character that has now been around for over fifty years.  Despite some feeling of familiarity, Bendis and Marquez deliver an entertaining and tantalising (re)launch issue that brings readers into a post-Secret Wars (Marvel’s multiverse destroying event series which doesn’t actually conclude until December) world where it’s more or less a case of business as usual.  Time is taken to reacquaint readers with Tony Stark as he builds his newest version of the Iron Man armour, established readers will have seen this many times before across numerous Iron Man runs yet with new readers in mind it’s also necessary and at least there’s no elaborate retelling of the modern age Iron Man origin story (see Iron Man: Extremis by Warren Ellis and Adi Granov).

Since Robert Downey Jr’s lighter interpretation of Tony Stark won over the film going masses, Marvel have sought to tweak the persona of the comic book character to match that of his cinematic counterpart.  It’s something that’s been difficult to achieve without Stark coming across as too much an out and out a-hole and Bendis proves more successful here than Kieron Gillen did during his pre-Secret Wars tenure.  Bendis continuously straddles – and spontaneously hops over – the line between the serious, as Stark contemplates futurist ideals, and the humorous, where there’s playful exchanges with holo-A.I. FRIDAY, to decent effect and is sure to build a version of Marvel’s Howard Hughes-inspired industrialist billionaire that will appeal to long term fans and the masses alike.

David Marquez provides some great visuals, his action scenes have a big budget widescreen feel to them (with one particular sequence reminiscent of classic Anime feature film Ghost in the Shell) whilst delivering detailed surroundings and expressive characters.  Most significantly though, Marquez unveils a pleasing new Iron Man suit that is sleek, angular and modern whilst still incorporating the basic design elements of classic armours.  We’re yet to see a full demonstration of the enticing ‘morph’ aspect of the new suit’s design which will allow it to incorporate elements of previous Iron Man armours on command, but this will surely come into play in subsequent issues.

Despite those afore-mentioned elements of familiarity, with an intriguing new threat from (spoiler) iconic Iron Man villain Madame Masque and a tantalising finale there’s plenty to be excited about for the future of Iron Man.

The bottom line:  With snappy dialogue from Brian Michael Bendis and solid visual storytelling provided by artist David Marquez, Invincible Iron Man is off to a promising, if at times familiar, start.

Invincible Iron Man #1 is published by Marvel Comics and is available in print and digital formats now.

Cover art for Marvel Comics' 'Invincible Iron Man' #1 by David Marquez. Image belongs: Marvel Comics.

Cover art for Marvel Comics’ ‘Invincible Iron Man’ #1 by David Marquez. Image belongs: Marvel Comics.