Comic Review: ‘Justice League’ #40

Writer Robert Venditti takes on DC’s premier superhero team… 

Justice League #40

Cover art by Bryan Hitch & Jeremiah Skipper (image credit: DC Comics).

Written by:  Robert Venditti / pencils by:  Doug Mahnke / inks by:  Richard Friend / colours by:  David Baron

What’s it about?

“Impact” Part 1 : crashing to Earth, ex-Green Lantern Corps member Sodam Yat delivers a stark warning of an incoming invasion to the Justice League, lead by an old foe of Superman’s…

In review

Hal Jordan and the Green Lantern Corps and Hawkman writer Robert Venditti takes the reigns of DC’s leading team-up title Justice League as issue #40 presents a fresh start with the first chapter of a new story arc, “Impact”.  Venditti’s tenure follows a largely enjoyable run written by Scott Snyder and James Tynion IV and with Justice League #40, necessarily scales things back a little and neatly streamlines the superhero group’s roster to a core line-up of Superman, Batman, Wonder Woman, The Flash and John Stewart’s Green Lantern.  It seems that Snyder’s close to issue #39 may not have been what readers may have expected – a cliffhanger of sorts (that in hindsight maybe wasn’t?) – as it isn’t addressed by Venditti who instead favours a clean break whilst acknowledging recent events in the wider DC Universe, such as Superman’s reveal of his true identity to the world (in last December’s Superman #18 by Brian Michael Bendis and Ivan Reis).  After the mind-bending plethora of ideas infused into the book by Messrs Snyder and Tynion it’s an appropriate reset that allows ongoing readers to re-orientate themselves and provide an access point for new fans to jump onboard – and it generally works (there is of course a lot going on in the DC canon of late), making for a solid first issue for the new Justice League writer.

Robert Venditti builds an entertaining and appealing opening instalment of “Impact”, quickly demonstrating his knowledge of the DCU and the characters he utilises for Justice League – with an effective grasp of the familiar dynamics between the various heroes (the conflicted but brotherly Batman/Superman interplay providing some small but key moments).  It may be quite a wordy narrative, and a great deal of the issue is merely setting the stage, but there’s still a decent helping of action to accompany the drama, tension and the high stakes (dialling things back to the more manageable and comprehensive playing field of a single universe) established, wasting no time in introducing a new threat for the League to face: the return of the Eradicator – the cold and ruthless Superman clone who debuted during “Reign of the Supermen” in the 1990s.  Receiving warning from former Green Lantern, Daxam’s Sodam Yat, who crashes to Earth, the Justice League learns the news that the Eradicator has engineered an army of Daxamites free from their Kryptonian vulnerabilities and plans to decimate the planet, beginning a campaign of conquest across the universe.  The Eradicator can often be overlooked and perhaps underrated as a Superman villain and Venditti affirms that in the right hands he can be a powerful (both literally and figuratively) antagonist, without violating the known traits of the character and is bound to provide a significant challenge for our heroes to unite against.

The art by penciller Doug Mahnke (with inks by Richard Friend and colours by David Baron) is very good and although there are some rough and sketchy spots here and there, it’s a great looking comic that’s visually epic and exciting in all the right instances with the more confined, character-focused scenes being equally well-defined and together with Venditti’s script it all keeps the reader engaged and provides plenty of anticipation for what’s to come.

The bottom line:  Robert Venditti takes up writing duties on Justice League and with penciller Doug Mahnke delivers a solid first chapter of a new story arc that promises high stakes for DC’s core heroes.

Justice League #40 is published by DC and is available in print and digital formats now.

Images used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Film Review: ‘Batman: Hush’

Warner Bros. Animation adapt another popular Batman story for the latest DC Universe animated film… 

Batman Hush (film) a

The Dark Knight Detective returns in the Warner Bros. Animation release ‘Batman: Hush’ (image credit Warner Bros/DC Entertainment).

Spoiler-free review

Starring (voices):  Jason O’Mara, Jennifer Morrison, Jerry O’Connell, Rebecca Romijn, Peyton List, Geoffrey Arend, Maury Sterling, Rainn Wilson

Directed by:  Justin Copeland / written by:  Ernie Altbacker / 81 minutes

What’s it about?

Pitted against some of his oldest and most dangerous foes, Batman soon finds himself facing a new enemy – the mysterious ‘Hush’…

In review

Batman: Hush is the latest DC animated film from Warner Bros. Animation, based upon the popular 12-issue story arc (written by Jeph Loeb, with art by Jim Lee) from 2002.  “Hush” is rightfully considered as one of the greatest modern era Batman stories in which Bruce Wayne faces a gauntlet of villains and a mysterious new nemesis – a manipulative, bandage-faced foe known as ‘Hush’ – whilst grappling with stark revelations from his past and the complications of a burgeoning romance with Selina Kyle/Catwoman.

This direct-to-video animated adaptation is an enjoyable one, doing a reasonably solid job of translating the source material to the screen and neatly condensing its elaborate plot into a relatively short running time of 81 minutes (around average for the DC animated films).  Certain elements of the original story are either trimmed or cut entirely but Hush generally feels cohesive and flows steadily without rushing through the narrative or unnecessarily dragging its heels.  Certain changes are made in order to service the adaptation or for creative reasons (mainly to fit Hush within the mainline ‘DC Universe Movie’ continuity) but for the most part they add a freshness to the story for those who have read the comics.  There is, however, one particular alteration that is likely to prove divisive and although it works for the film it arguably robs it of some of the emotional power of the original comic book story – leading to a fairly satisfying but less weighty finale that doesn’t quite measure up to the source material.

As with the comics, Hush places significant focus on the Batman/Catwoman relationship and that plays out as expected, as do several key moments fans will expect – the highlights undoubtedly being that iconic Bat/Cat rooftop embrace, Batman’s ‘tussle’ with Superman – the closest we’ve ever come to the epic conflict in previous DC animation Batman: The Dark Knight Returns Part II – and of course, the Batman’s ragingly brutal and bloody encounter with the Joker (pushing the film’s PG13/15 certificate rating).  The inclusion of Bane adds to the drama and adrenaline, although it’s a shame he’s not much beyond a dumb, musclebound brute here, although we are provided with a narrative reason for the character acting less “eloquent” than fans may be accustomed to.

Batman Hush (film) b

The Bat and Cat in ‘Batman: Hush’ (image credit: Warner Bros/DC Entertainment).

The voice acting performances are fine, if a tad unexceptional.  Whilst no Kevin Conroy, Jason O’Mara (in his fourth solo outing as the Batman, following Son of Batman, Batman vs Robin and Batman: Bad Blood) is non-the-less reliable in the central role of Bruce Wayne/Batman and Jennifer Morrison is equally adept at delivering the requisite slinky, feline quality to Selina Kyle/Catwoman and the chemistry between the pair is adequate if unremarkable.  Peyton List does well handling two completely different roles – Poison Ivy and Batgirl, Jason Spisak eerily channels Mark Hamill as the Joker, alas Bruce Thomas isn’t the greatest fit for Commissioner Gordon, nor is James Garrett as Alfred (to be fair we have been spoilt by some real star casting in those roles previously).  On the plus side, Hynden Walch is superb as Harley Quinn as is Sean Maher as Nightwing and Geoffrey Arend delivers a pleasingly menacing Riddler whilst Maury Stirling proves a good choice for Bruce’s childhood friend, Thomas Elliott.  There’s also the welcome return of Jerry O’Connell as Clark Kent/Superman as well as Rebecca Romijn as Lois Lane and Rainn Wilson is once again suitably devious as Lex Luthor.

The style of Hush continues the pseudo-anime design of prior DC animation releases which may not be to everyone’s liking but gives an established and consistent look to the universe, although it lacks the detail and craft of Jim Lee’s comic book pencils.  Director Justin Copeland keeps everything tight and focused and delivers some strong and well-staged action scenes which is no small wonder given his experience as a storyboard artist on previous DC animation projects including Batman: Gotham by Gaslight, The Death of Superman and most recently, Reign of the Supermen.

The bottom line:  Batman: Hush is another entertaining Warner Bros/DC animation release that, despite a controversial alteration, does a good job of adapting the iconic comic book story.

Batman: Hush is available digitally now with Blu-ray and DVD releases to follow in August.

Images used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Film Review: ‘Reign of the Supermen’

The Man of Steel’s potential successors rise in the latest DC animated feature…

Reign of the Supermen

The ‘Eradicator’ continues the late Superman’s fight against crime in the DC/Warner Bros. Animation release, ‘Reign of the Supermen’ (image credit: DC Entertainment/Warner Bros. – used for illustrative purposes only).

Spoiler-free review

Starring (voices): Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Patrick Fabian, Charles Halford, Cameron Monaghan, Cress Williams

Directed by: Sam Liu / written by: Tim Sheridan and Jim Krieg

What’s it about?

Six months after the death of Superman, Metropolis is stirred by the appearance of four new ‘Supermen’…

In review

Concluding the story which began with last summer’s The Death of Superman, DC Entertainment and Warner Bros. Animation present Reign of the Superman, a fun and enjoyable adaptation of the 1993 comic book arc. Picking up six months after Superman’s death following his defeat of the Doomsday creature, the world continues to mourn the loss of the beloved Man of Steel as the citizens of Metropolis are swept up in a media frenzy when four supposed ‘Supermen’ begin to appear – the wise-cracking, Lex Luthor sponsored clone who hates to be called ‘Superboy’ (Gotham’s Cameron Monaghan), the armoured champion of justice known as ‘Steel’ (aka John Henry Irons – voiced by Cress Williams, star of the CW’s Black Lightning), the mysterious yellow-visor wearing ‘Eradicator’ (Charles Halford) and the part organic, part machine ‘Cyborg Superman’ (Jerry O’Connell/Patrick Fabian). As each of these Supermen make their claim as to who may be the rightful successor to the fallen Last Son of Krypton, a looming threat from the stars places humanity in the path of a danger from which it has little hope of surviving…or do they?

Overall, Reign of the Supermen does a decent job of condensing the narrative of the original comics (which ran over the course of several months and numerous different titles) into its 89 minute running time. It does at times feel a little overstuffed and the various sub-plots and characters are not as fully developed as they could have been, particularly in the case of John Henry Irons/Steel and the Eradicator but it never feels jumbled or incoherent. There may have been a case for a further instalment to fully flesh things out and provide some breathing space but Reign of the Supermen works well enough as is and is still able to deal with the “World Without a Superman” part of the story sufficiently in its opening act, with some heartfelt moments between Lois and Jonathan and Martha Kent and an amusing yet poignant scene with Perry White (Rocky Carroll) in the Daily Planet offices. The Justice League once again play their parts (although it continues to be odd that, as with The Death of Superman, Hawkman is present but with no lines of dialogue) although the script wisely removes them from the action until the final act so that there’s more focus on the main story.

It’s difficult to discuss the plot of Reign of the Supermen in more detail without delving into spoilers but for those familiar with the comics, the film adheres fairly closely to the source material with a few original additions (and an alteration to the central threat) and it all leads to an exciting and action packed climax, a neat homage to Superman’s cinematic past and a tantalising tease of things to come in the DC animated universe.

The voice cast is solid and are served well by Tim Sheridan and Jim Krieg’s screenplay, the particular highlights being Rebecca Romijin who delivers a warm but strong portrayal of Lois Lane (bolstered by her scenes with Rosario Dawson as Lois builds a budding friendship with Diana Prince/Wonder Woman), Cameron Monaghan – bringing the arrogant, care-free and quippy Superboy fittingly to life and Cress Williams, applying the right qualities of inherent goodness and heroism to John Henry Irons/Steel. Rainn Wilson once again infuses Lex Luthor with the appropriate level of menace and deviousness but it’s still hard not to miss Clancy Brown in the role which he defined so definitively in Superman: The Animated Series.

The animation and character designs are good and the action (always a high point with these animated DC films) thrilling, all skilfully guided under the direction of Sam Liu – who also helmed The Death of Superman (with Jake Castorena) and many previous DC animation projects including Batman: Year One and Justice League vs Teen Titans resulting in an entertaining package that, when coupled with The Death of Superman creates a pleasing adaptation of the iconic story.

The bottom line: an enjoyable conclusion to the “Death of Superman” arc, Reign of the Supermen is a successful adaptation of the 1990s comic book story.

Film Review: ‘The Death of Superman’

Warner Bros Animation makes another attempt at adapting an iconic Superman story…

Death of Superman

The Man of Steel prepares to meet his doom in Warner Bros Animation’s ‘The Death of Superman’ (image credit: Warner Bros, used for illustrative purposes only).

Spoiler-free review

Starring (voices):  Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Jason O’Mara

Directed by:  Jake Castorena and Sam Liu / Written by: Peter Tomasi / 80 minutes

What’s it about?

Superman faces his greatest challenge when a mysterious and brutal creature arrives on Earth and begins tearing its way through Metropolis…

In review

After the lacklustre Superman: Doomsday (released in 2007), Warner Bros Animation takes another stab at adapting the iconic 1990’s DC Comics storyline – elements of which were also incorporated into Zack Snyder’s Batman v Superman.  This time WB is taking the same approach as Batman: The Dark Knight Returns by splitting the story into two parts, beginning with The Death of Superman and to be concluded in Reign of the Superman, which is due for release next year.

More satisfying than the aforementioned Doomsday, The Death of Superman is an enjoyable, albeit not totally perfect, entry in Warner Bros’ DC animated universe.  Written by comic book scribe Peter Tomasi (writer of the acclaimed DC Rebirth Superman series), the screenplay does a commendable job of streamlining– and in a few areas improve – the original comics storyline which had the luxury of several issues to expand into numerous sub-plots.  The result is a loose reinterpretation that focuses on the relationship between Clark Kent and Lois Lane, providing a solid emotional core that pays off when the Man of Steel is faced against Doomsday – the powerful and unstoppable destructive force that smashes its way through Metropolis.

It’s a little slow and uneventful to begin with but once Doomsday arrives and the tension begins to build it picks up the pace and becomes more engaging, the final third largely a prolonged (and quite bloody, this isn’t one for younger viewers) battle between Superman and his titanic foe.  That was the only real highlight of Superman: Doomsday and directors Jake Castorena and Sam Liu deliver some exciting and impactful action scenes that rival the 2007 film.

One key improvement made by Tomasi’s script (which drops in some neat references to Superman: The Movie and the 1966 Batman television series) is an increased and more integral role for the Justice League and whilst this is still Superman’s story, there’s some fun and insightful interaction between the various team members, with wisecracking exchanges between Green Lantern and the Flash adding a dash of humour whilst Superman and Wonder Woman open up as they contemplate their past relationship.  The team’s failure to halt Doomsday’s rampage raises the stakes and adds to the sense of impending doom making the final showdown all the more intense.

The voice cast is very good, Jerry O’Connell is a strong and reassuring Superman with a more grounded and vulnerable approach to Clark Kent, Rebecca Romijn (Mystique in Fox’s original X-Men trilogy) brings a warmth and determination to Lois Lane and The Office and Star Trek: Discovery star Rainn Wilson delivers a spirited performance as Lex Luthor, infusing him with the right measure of arrogance and menace, although Clancy Brown is still arguably the definitive choice.  Justice League voice artists including Jason O’Mara, Rosario Dawson and Nathan Fillion (Batman, Wonder Woman and Green Lantern, respectively) reprise their roles as the various DC heroes whilst Black Lightning’s Cress Williams is a welcome addition as John Henry Irons – a character that as fans know plays a big part in the “Reign of the Supermen” arc.

Visually, The Death of Superman is decent if a bit unremarkable – character designs are generally strong (adopting the same anime-esque style of previous releases such as Justice League: War and Justice League: Throne of Atlantis) but environments are pretty sparse and lack detail.

The Death of Superman doesn’t evoke that more immersive and cinematic feel of The Dark Knight Returns and that stops it from fully living up to its potential.  Perhaps this might have been achieved by having it be a standalone project (with a slightly bigger budget) rather than incorporating it into the continuity of the main DC animated films (established in 2014’s Justice League: War), or maybe it’s because the source material is just not as strong or as nuanced as Frank Miller’s seminal Batman tale – that’s all a matter of perspective and open up for debate but as is, The Death of Superman is a worthwhile watch if only at least to erase disappointing memories of Doomsday.

The bottom line:  The Death of Superman is a more successful version of the classic Superman story that although falling short of greatness is non-the-less an enjoyable watch and superior to WB Animation’s previous attempt.

The Death of Superman is available on Blu-ray, DVD and digital download now.  Reign of the Superman will be released in 2019.