It’s a Classic: ‘Star Trek: The Next Generation’ – “Yesterday’s Enterprise”

Looking at some of the best pop culture offerings in film, TV and comics…

“Let’s make sure that history never forgets the name…Enterprise”

Recurring guest star Whoopi Goldberg, a key component in the success of “Yesterday’s Enterprise” (image credit: ViacomCBS).

Year:  1990

Starring:  Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Brent Spiner, Wil Wheaton, Denise Crosby, Christopher McDonald, Tricia O’Neil, Whoopi Goldberg

Director:  David Carson / written by:  Ira Steven Behr, Richard Manning, Hans Beimler, Ronald D. Moore (from a story by Trent Christopher Ganino & Eric A. Stillwell) / series created by:  Gene Roddenberry

What’s it about?

The forbearer to the current U.S.S. Enterprise is brought 22 years into the future via a temporal rift and changes the flow of history, creating an alternate timeline where the Federation is close to defeat in a war against the Klingon Empire…

In review:  why it’s a classic

Ask any Star Trek fan about their favourite episodes and it’s likely that many would include “Yesterday’s Enterprise” on their list – there’s no argument that it’s not just an outstanding instalment of Star Trek: The Next Generation but a gripping piece of science fiction drama in its own right.  From a story by Tent Christopher Ganino and Eric A. Stillwell, “Yesterday’s Enterprise” sees Captain Picard and the crew of the U.S.S. Enterprise ‘D’ confronted with the preceding Enterprise ‘C’ which appears in the present, causing devastating changes to the timeline with the United Federation of Planets on the losing side in a war with the Klingon Empire.  With history recording that the Enterprise C disappeared during a battle to save a Klingon outpost from destruction by Romulan warships and Guinan sensing that something is not right, Picard and his crew believe that their only hope is for the previous Enterprise to return to its own time where the selfless sacrifice of the ship and its crew, seen by the Klingons as an honourable act, could avert a terrible conflict.

A thrilling and engaging story, “Yesterday’s Enterprise” is also iconic for facilitating a guest return for Denise Crosby as Lt. Tasha Yar, who was killed back in “Skin of Evil” in the first season of The Next Generation.  The teleplay’s writers include Ira Steven Behr, future writer and showrunner of Star Trek: Deep Space Nine and Ronald D. Moore, who would go on to co-write feature films Star Trek: Generations and Star Trek: First Contact (and subsequently develop the reimagined Battlestar Galactica series) and their presence is heavily felt with a strong focus on characterisation and statements of morality, qualities that lift “Yesterday’s Enterprise” (and for that matter, any great Star Trek episode) above its core SF concept.  It’s through the darker and more hopeless scenario of a deadly and costly war that we appreciate the altruistic values of the Federation as we know it and that the brave acts of a few can benefit the many.

Denise Crosby returns as Tasha Yar in “Yesterday’s Enterprise”, also featuring Christopher McDonald as Lt. Castillo (image credit: ViacomCBS).

“Yesterday’s Enterprise” boasts a reliably strong performance from Patrick Stewart, at this point in the series he is fully invested and committed to the role of Captain Picard and gets to add a subtle shade of grit to his character who in the altered timeline is a military commander as opposed to an explorer and diplomat.  The regular supporting cast all play smaller but significant parts with Brent Spiner’s Data being a particular standout, but it’s arguably the guest stars who really enhance “Yesterday’s Enterprise”.  Denise Crosby’s return is a welcome one and she is provided with meaningful material, Christopher McDonald delivers a likeable performance as Enterprise C helmsman Lt. Castillo (and sharing great chemistry with Crosby, essential for the romantic bond that develops between their characters) and Tricia O’Neil brings authority to the role of the Enterprise C’s captain, Rachel Garrett.  Yet, it’s Whoopi Goldberg who shines the most – her appearances as the mysterious and noble Guinan always add significantly to any episode of Star Trek: The Next Generation but her portrayal in “Yesterday’s Enterprise” is particularly impressive with a passionate and layered performance.  Goldberg’s scene with Stewart’s Picard in which she pleads that the Enterprise is not supposed to be a ship of war, but a ship of peace is especially poignant and really captures the heart and soul of Star Trek.

David Carson’s direction is skilled and attentive, his staging of scenes and positioning of the actors together with the use of various angles and close-ups draw the viewer further into the drama.  Carson is also adept at cranking up the pace as he executes tense and energetic action scenes and it’s no surprise that Carson (whose first credit for Star Trek: The Next Generation was “The Enemy”, from earlier in the third season) would be called on again to helm further Star Trek episodes, including the premiere of Star Trek: Deep Space Nine and also The Next Generation’s first big screen outing, 1994’s Star Trek: Generations.

As exciting as it is emotionally impactful, “Yesterday’s Enterprise” is yet another example of Star Trek at its best and an exemplary piece of storytelling that continues to resonate over thirty years later.

Standout moment

Learning from Guinan that she died a senseless death in the original timeline, Tasha Yar confronts a conflicted Captain Picard with a request to transfer to the Enterprise C and face a potentially more gallant fate…

Geek fact!

Tricia O’Neil would return to Star Trek again with guest roles as a Klingon scientist in sixth season TNG outing “Suspicions” and as a Cardassian military observer in the DS9 episode “Defiant”.

If you like this then check out…

Star Trek: Voyager – “Timeless” : fifteen years after the loss of the U.S.S. Voyager during a daring attempt to return home, former officer Harry Kim plans to alter history and prevent the disaster from ever occurring.

Image(s) used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

It’s a Classic: ‘Star Trek: First Contact’

Looking at some of the best pop culture offerings in film, TV and comics…

“And you people, you’re all astronauts on some kind of star trek”

First Contact - Picard

Captain Jean-Luc Picard (Patrick Stewart) must face his most lethal enemy in ‘Star Trek: First Contact’ (image credit: Paramount Pictures).

Year:  1996

Starring:  Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Brent Spiner, James Cromwell, Alfre Woodard, Alice Krige

Director:  Jonathan Frakes / written by:  Ronald D. Moore & Brannon Braga (story by Rick Berman, Ronald D. Moore & Brannon Braga.  Based upon Star Trek, created by Gene Roddenberry)

What’s it about?

Captain Picard and his crew pursue the Borg back in time to stop them from changing the future by preventing Earth’s pioneering warp-flight and historic first contact with an alien race…

In review:  why it’s a classic

The finest big screen outing for the cast of Star Trek: The Next Generation and one of the overall best Star Trek films, Star Trek: First Contact is an exciting science fiction action adventure that proved a hit with fans and critics as well as general audiences, becoming one of the most financially successful Star Trek features – surpassing previous champion Star Trek IV: The Voyage Home.

Star Trek: First Contact sees Captain Jean-Luc Picard and the crew of the Enterprise-E once again faced with their cybernetic foes, the Borg, who travel back in time to the year 2063 – a decade after Earth’s devastating Third World War – to avert the first flight by warp drive inventor Zefram Cochrane and contact with visitors from Vulcan – an event that unites humanity and sparks a more hopeful future that will lead to the formation of Starfleet and the United Federation of Planets.  Pursuing the Borg back to the 21st Century, the Borg vessel is destroyed by the Enterprise but not before its complement of drones transport into the bowels of Picard’s ship and begin taking control.  As Commander Riker and his away team work to ensure Cochrane’s warp flight occurs as scheduled, Picard must fight to prevent the Borg’s seizure of the Enterprise and their plans to destroy the future.  Star Trek: First Contact ties back to The Next Generation’s classic two-parter “The Best of Both Worlds” (read the review here) in which Picard was abducted and assimilated by the Borg and informs the character’s arc, although it isn’t necessary for casual viewers to have seen it as it’s all explained via Picard’s opening nightmare sequence and some neatly placed exposition.

First Contact - Cochrane

James Cromwell as Zefram Cochrane (image credit: Paramount Pictures).

As Picard, Patrick Stewart is as superb as ever in the role and there is a lot of range for the character in First Contact as the usually noble and disciplined Picard grapples with his traumatic history with the Borg and the Ahab-like anger towards his enemy which begins to override his judgement as a Starfleet captain.  Stewart shares great rapport with his co-stars, particularly Brent Spiner’s Data who is also given a great deal of focus, his loyalty to Picard threatened when he is captured by the Borg and manipulated by their Queen.  Played with a sultry and sinister menace by Alice Krige, the Borg Queen expands the mythology of the cyborg race, an individual voice within the singular Borg Collective whose purpose is to bring “order to chaos” within the hive mind.  James Cromwell provides a wonderfully spirited performance as Zefram Cochrane, a man worshipped as a historical figure by the Enterprise crew who they quickly learn is flawed and prone to drinking too much.  Alfre Woodard is equally great as Cochrane’s assistant, Lily, who has numerous standout scenes with Patrick Stewart – particularly her heated exchange with Picard as his fury against the Borg verges on vendetta, snapping him into realisation with a poignant reference to Moby Dick.  Given his duties as director, Jonathan Frakes’ Commander Riker has less onscreen presence in comparison to Patrick Stewart and Brent Spiner but still plays an important role.  The rest of the regular TNG cast are all given their moments within the story – Marina Sirtis’ inebriated Deanna Troi serving up a dash of levity – and luckily First Contact allows for Michael Dorn’s Worf (who at this point had joined the cast of Star Trek: Deep Space Nine) to rejoin his former crewmates for their adventure.

First Contact - Borg Queen & Data

Data (Brent Spiner) is manipulated by the Borg Queen (Alice Krige) (image credit: Paramount Pictures).

Star Trek: First Contact thrills with a number of notable action sequences and set-pieces, the highlights including the first act’s space battle against the Borg ship, Picard and his crew’s attempt to halt the Borg’s infiltration and assimilation of the Enterprise and Picard and Worf’s (along with Lt. Hawk, in an early screen appearance by Neal McDonough) excursion onto the ship’s hull to prevent the Borg’s conversion of the main deflector into a means of summoning reinforcements.  The film boasts a great script (from returning Star Trek Generations screenwriters Ronald D. Moore and Brannon Braga) that has plenty of action, drama, humour and heart and it’s easy to see why it appealed to a wide audience.  It’s a generally pacey adventure that doesn’t sacrifice an enjoyable science fiction story or memorable character moments.  The Borg are a dark threat and the stakes are high yet First Contact maintains the hope and optimism for humanity’s future envisioned by Gene Roddenberry that is the nucleus of any classic Star Trek story.

Having helmed numerous episodes of The Next Generation (as well as Deep Space Nine and Voyager), Jonathan Frakes makes a confident jump to the big screen and keeps First Contact engaging and entertaining.  The production design is excellent and gives it a pleasingly grand, blockbuster feature film look.  The new Enterprise-E is another superb, sleek starship design from illustrator John Eaves that melds the iconic Matt Jeffries concept with that of The Next Generation’s late Enterprise-D.  Likewise, Herman Zimmerman’s interior sets are an appropriate expansion of his previous work.  The new Giger-esque biomechanical look for the Borg courtesy of Michael Westmore makes them an even scarier and formidable enemy and would rightfully earn the film an Oscar nomination.  To top things off, Jerry Goldsmith (with contributions from his son, Joel) provides a classic music score, another career best for the composer that elevates all of the excitement, emotion and atmosphere of the film – the beautifully majestic main theme on par with that of Star Trek: The Motion Picture.

Star Trek: First Contact is simply a great big screen Star Trek entry that’s not only enjoyable for fans but for casual viewers as well and represents a high point for the franchise as an entertainment enterprise (pun fully intended).

Standout moment

Discovering that the Borg plan to use the Enterprise’s deflector to contact reinforcements, Picard leads a mission on to the starship’s hull in order to stop them…

Geek fact!

An early concept for the film had the Borg travelling back in time even further to the Renaissance period and would see Data become Leonardo DaVinci’s apprentice!

If you like this then check out…

Star Trek (2009) : J.J. Abrams directs this rousing, crowd-pleasing big screen reboot of the franchise as a young James Kirk (Chris Pine) battles to save Earth from a vengeful Romulan from the future…

Image(s) used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Flashback: ‘Star Trek Generations’

It’s 25 years since the cast of ‘Star Trek: The Next Generation’ transitioned to the big screen…

ST Gen a

Captains Picard (Patrick Stewart) and Kirk (William Shatner) unite to save the galaxy in ‘Star Trek Generations’ (image credit: Paramount Pictures).

Year:  1994

Starring:  Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Malcolm McDowell, William Shatner, James Doohan, Walter Koenig

Directed by:  David Carson / written by:  Ronald D. Moore & Brannon Braga (story by Rick Berman, Ronald D. Moore & Brannon Braga.  Based upon Star Trek, created by Gene Roddenberry)

What’s it about?

Captain Picard and the crew of the Enterprise must stop an obsessive and dangerous scientist from causing the deaths of millions as he searches for a way to return to a mysterious extra-dimensional realm…

Retrospective/review

With Star Trek: The Next Generation completing it’s highly successful seven year run on television and the original Star Trek crew’s big screen voyages concluded with 1991’s Star Trek VI: The Undiscovered Country it was time for the torch to be passed.  Production on a seventh Star Trek film, in which the newer Star Trek cast would make their silver screen debut, commenced almost immediately after work had wrapped on The Next Generation’s series finale with Star Trek Generations releasing in cinemas in the fall of 1994.

An enjoyable and fun science fiction adventure, Star Trek Generations facilitates a meeting between William Shatner’s Captain Kirk and Patrick Stewart’s Captain Picard whilst also incorporating smaller cameo roles for two other classic Trek characters – Chekov (Walter Koenig) and Engineer Montgomery Scott, a.k.a. “Scotty” (James Doohan).  The story begins in the 23rd Century as Kirk, Chekov and Scotty are guests of honour aboard the newly commissioned successor to Kirk’s ship, the Enterprise-B.  Her maiden voyage is interrupted by an incoming distress call from the Lakul – a transport ship ferrying El-Aurian refugees to Earth, amongst them future Enterprise bartender, Guinan (Whoopi Goldberg).  Discovering that the Lakul is tangled in a mysterious energy ribbon with destructive tendrils threatening to tear it apart, the Enterprise (under the command of Captain John Harriman, played by Alan Ruck) risks all to save the refugees – including Captain Kirk, seemingly lost when the Enterprise’s hull is breached.

Flashing forward 78 years to the 24th Century, Captain Picard and the crew of the Enterprise-D investigate the attack of a deep space observatory.  Recovering the only survivor, the El-Aurian scientist, Dr. Tolian Soran (Malcolm McDowell, star of Stanley Kubrick’s A Clockwork Orange), Picard soon learns that Soran, along with Guinan, whose race has a life span many times greater than humans, were rescued during the Lakul incident and that the energy ribbon encountered by the Enterprise-B is a recurring phenomenon known as the Nexus, a gateway to an extra-dimensional realm were one’s fantasies and dreams are realised and time has no meaning.  Soran, in cohorts with the Klingon Duras sisters Lursa and B’etor (Barbara March and Gwyneth Walsh, respectively, reprising their villainous roles from Star Trek: The Next Generation and Star Trek: Deep Space Nine), in exchange for providing them with a powerful new weapon, plans to draw the Nexus to him by destroying stars and threatening the lives of millions.  With the stakes set high, Picard is soon confronted with Soran on the planet Veridian III before being swept into the Nexus, leading to an encounter with a legendary Starfleet captain once thought dead…James T. Kirk, offering Picard his only hope of stopping Soran.

ST Gen b

Malcolm McDowell as Soran (image credit: Paramount Pictures).

Although they may have felt encumbered by a laundry list of requirements for the film (the essential ingredient being a Kirk/Picard team-up), screenwriters Ronald D. Moore and Brannon Braga – who also wrote the TNG series finale (the feature length “All Good Things”) took their knowledge and experience as former writers on The Next Generation to construct an entertaining narrative that gets the job done, providing some decent character moments together with an imaginative and action-packed science fiction story, under the capable direction of David Carson, himself no stranger to the franchise having helmed fan-favourite TNG episode “Yesterday’s Enterprise” and the Star Trek: Deep Space Nine series premiere.  Generations also boasts a music score from veteran TNG and Deep Space Nine composer Dennis McCarthy, particularly effective during Picard’s scenes in the Nexus where the music has an appropriately wondrous, mystical quality to it.

Focusing on the acting performances and characterisation, there’s a lot for fans to appreciate.  Beyond the obvious delight of having Kirk and Picard onscreen together, both William Shatner and Patrick Stewart are given a reasonable amount to chew on.  Stewart’s Picard suffers the tragic accidental deaths of his brother and nephew (his scenes with Whoopi Goldberg’s Guinan are also a highlight, as they always where in TNG) before his later experience in the Nexus which presents the noble starship captain with the dream of an idyllic family life at Christmas time and a renewed sense of faith as he unites with Captain Kirk to save the day.  Despite only appearing in the opening and closing acts of Generations, Wiiliam Shatner is still given enough time to prove his worth as his meeting with Picard invokes a realisation that the fantasy the Nexus offers just can’t compare with the reality of risking all for the greater good.  The horse-riding scenes also allow Shatner to combine his real-life enthusiasm for the equestrian with his defining and most iconic screen role.

James Doohan and Walter Koenig are a pleasing addition to the opening of Generations and along with Kirk, a comforting sight, yet although William Shatner is afforded a larger role, this is still very much a Star Trek: The Next Generation film – with Brent Spiner’s Data particularly well-served as the Enterprise’s android experiments with emotions allowing him to experience a range of feelings and human concepts, from humour and joy to fear and regret.  The always excellent Spiner rises to the occasion with ease and its unsurprising that Data becomes such a key player in the subsequent Star Trek films.  As the central villain, Malcom McDowell delivers a decent measure of threat, Soran’s desire to revisit the Nexus driven by the yearning to see his dead wife and children.  It’s something touched upon but sadly not fully explored but does however provide the character with some depth and the script furnishes McDowell with some memorable lines, such as “they say time is the fire in which we burn” which has something of a literary and philosophical quality to it.

Of course, the biggest surprises of Generations (spoilers…) are the heroic – but highly controversial – death of Kirk (reshot after test audiences were underwhelmed with the original scene, in which Soran simply shoots Kirk in the back), truly marking the end of an era and the destruction of the Enterprise-D to make way for a new and more big screen friendly U.S.S. Enterprise for the sequels.  Both elements help to supply Generations with a suitably tense and gripping finale and an emotional farewell to a beloved character.  Whilst Star Trek Generations is not on the same level as perennial favourites Star Trek II: The Wrath of Khan and Star Trek IV: The Voyage Home, it’s still a fitting first big screen outing for the crew of Star Trek: The Next Generation which would lead to the superior and popular sequel, Star Trek: First Contact.

Geek fact! 

It was originally intended that Leonard Nimoy and DeForest Kelley would reprise the roles of Spock and Doctor McCoy in Generations in place of the Chekov and Scotty cameos, but both actors declined feeling that Star Trek VI: The Undiscovered Country was a more satisfactory finale for their characters.

Image(s) used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Flashback: ‘Battlestar Galactica’ – “Saga of a Star World”

Looking back at the epic series premiere for Glen A. Larson’s SF TV cult classic…

BSG - Saga

Epic SF on the small screen: Richard Hatch, Lorne Greene and Dirk Benedict lead the cast of the original ‘Battlestar Galactica’ (image credit: Universal, used for illustrative purposes only).

Year:  1978

Starring:  Lorne Greene, Richard Hatch, Dirk Benedict, John Colicos, Terry Carter, Herbert Jefferson Jr, Jane Seymour, Maren Jensen, Laurette Spang, Noah Hathaway

Series created by:  Glen A. Larson

Written by:  Glen A. Larson / Episode directed by:  Richard A. Colla

What’s it about?

As the Twelve Colonies of Man prepare to establish an armistice with the Cylon Empire, the crew of the Battlestar Galactica discover that a massive attack is about to be unleashed…

Retrospective/review

Following the cultural explosion of Star Wars in 1977, audiences were hungry for epic science fiction whether it might be on the large or small screen.  Premiering in September 1978, Glen A. Larson’s Battlestar Galactica brought grand Star Wars style space opera to television, launching with the triple-length series opener “Saga of a Star World” which sees the Twelve Colonies of Man on the threshold of peace with the machine race known as the Cylons, who ultimately mount a devastating surprise attack, forcing survivors to flee their home star system.

Heading up the cast is Lorne Greene as the wise and noble Adama, commander of the ‘Battlestar’ Galactica who finds himself leading a fugitive caravan of ships carrying colony survivors away from the Cylon aggression.  Adama, ably supported by Terry Carter’s Colonel Tigh, brings hope to the remaining people of the Twelve Colonies as he announces his intention to lead them on a journey to seek out the fabled thirteenth Colony of Man…a place called ‘Earth’.  This quest drives the core mythology of “Saga of a Star World” and the rest of series as it unfolds against the backdrop of science fiction action and adventure.

Playing Adama’s son and chief pilot of the Galactica’s Viper fighter squadron, Apollo, is Richard Hatch who would receive a Golden Globe nomination for his role and would go on to portray the terrorist Tom Zarek in Ronald D. Moore’s 21st Century reimagining of Battlestar Galactica.  Hatch (who passed away last year) gives a committed performance and Larson’s script serves him well as he forms a relationship with Serina (Jane Seymour) and becomes a surrogate father to her son, Boxey (Noah Hathaway).

Another standout character (and probably the show’s most popular) is hotshot Viper pilot, lady’s man and Apollo’s best friend, Lt. Starbuck – played by future star of The A-Team Dirk Benedict.  The brotherly camaraderie between the two is a highlight of the original Battlestar and enriches the feeling of family between the principle characters, bolstered further by Hebert Jefferson Jr’s Lt. Boomer.  Despite the tragic circumstances that play out in “Saga of a Star World”, there’s still some light relief – principally Starbuck’s entanglement in a love triangle with Adama’s daughter Athena (Maren Jensen) and the enchanting Cassiopeia (Laurette Spang).

Adding to the Cylon threat is the treacherous Baltar (the excellent John Colicos, who would reappear throughout the series), whose collaboration with the Cylons leads to the downfall of the Twelve Colonies.  The Cylons themselves are a memorable and formidable enemy (that iconic swooshing red LED ‘eye’ later repeated in another of Glen A. Larson’s creations, Knight Rider).  They are commanded by the mysterious Imperious Leader, voiced by Patrick MacNee (famous for his role as John Steed in cult British fantasy spy series The Avengers) who also narrates Galactica’s opening monologue and would go on to play Count Iblis in the “War of the Gods” two-parter.

Battlestar Galactica was blessed with a large production budget (which ultimately lead to the cancellation of the series after 21 episodes, although it was shortly revived as the risible Galactica 1980) and thus for a late 70s SF television production the special effects for the time are fairly impressive – no small wonder given that they were produced under the supervision of Star Wars effects maestro John Dykstra – and numerous space battle sequences keep the viewer engaged in between the drama as the Galactica and the rag-tag fleet of survivors head out into deep space and on to their search to find Earth.  “Saga of a Star World” unfolds at a steady pace, following the opening decimation of the Colonies time is taken to flesh out the characters and deal with the crisis the survivors face in the wake of the Cylon attack.  Given the protracted running time it can feel a little slow in places but the pace picks up after the Galactica’s sojourn to a casino planet, whose hosts harbour a terrifying secret (adding a touch of horror to otherwise family-friendly proceedings) and leads into an action packed finale as Apollo and his fellow pilots take on the pursuing Cylon fleet.

This is Disco-era SF TV so there’s an element of camp when viewed today that may need to be excused on occasion but taken in context and with an open mindset the original Battlestar Galactica is actually quite a lot of fun and through its adventurous spirit and likeable characters it doesn’t fail to entertain and no doubt for viewers at the time, scratched that Star Wars itch.

Geek fact!

An edited version of “Saga of a Star World” was subsequently released theatrically and is available on home video as Battlestar Galactica: The Movie.

Elsewhere on WordPress, you can read the insightful Starloggers anniversary tribute to Battlestar GalacticaBattlestar Galactica: The TV Space Saga Turns 40