Film Review: ‘Spider-Man: Far From Home’

Peter Parker packs his web-shooters as he heads to Europe for Spider-Man’s latest adventure…

Spider-Man Far From Home (a)

Spider-Man returns to the big screen in ‘Spider-Man: Far From Home’ (image credit: Sony Pictures/Marvel Studios).

Spoiler-free review

Starring:  Tom Holland, Samuel L. Jackson, Jake Gyllenhaal, Marisa Tomei, Jon Favreau, Zendaya, Jacob Batalon, Tony Revolori, Cobi Smulders

Directed by:  Jon Watts / written by:  Chris McKenna & Erik Sommers / 129 minutes

What’s it about?

Embarking on a school trip across Europe, Peter Parker is called upon by Nick Fury to help battle a new threat…

In review

The cap to Phase 3 of the Marvel Cinematic Universe, Spider-Man: Far From Home is the sequel to 2017’s Spider-Man: Homecoming and follows the enormously successful Avengers: EndgameFar From Home, whilst an entertaining comic book romp isn’t as good as Homecoming, or Sony’s Marvel Studios-less Academy Award winning triumph, Spider-Man: Into the Spider-Verse.

On the positive side it’s generally fun, humorous, heartfelt and offers a reasonable measure of spectacle and excitement striking the right sort of tone in the wake of Endgame.  Tom Holland once again proves he’s perfect casting for this iteration of the teenage Peter Parker – a.k.a. our friendly neighbourhood Spider-Man – and brings the same commitment and likeability to the role we’ve already seen in Spidey’s previous MCU appearances.  Holland is, again, well-supported by Zendaya’s wonderfully amusing ‘MJ’ and Jacob Batalon’s reliably hilarious Ned, Peter’s best friend.  There are equally pleasing returns for Jon Favreau’s ‘Happy’ Hogan as well as Marisa Tomei’s Aunt May and Tony Revolori as the bully we all love to hate – ‘Flash’ Thompson.  Samuel L. Jackson brings gravitas and star-power as he reprises his role as the ever-popular Nick Fury (with his right-hand women, Maria Hill – played by Cobie Smulders – at his side once more).  Yet, it’s Jake Gyllenhaal (at one point under consideration to replace Tobey Maguire as the titular web-head) who arguably steals the show as the world’s newest heroic figure and a new mentor for Peter, Quentin Beck, otherwise known as ‘Mysterio’.  Gyllenhaal and Holland have solid chemistry, bolstered by some nice scripting that leaves the viewer invested in their relationship.

Spider-Man Far From Home (b)

A new hero in town – Peter Parker (Tom Holland) meets Quentin Beck (Jake Gyllenhaal) a.k.a ‘Mysterio’ (image credit: Sony Pictures/Marvel Studios).

To say too much about the plot for Far From Home would lead to spoilers but the basic premise sees Peter enlisted by Nick Fury to team-up with Beck/Mysterio to battle a new threat in the form of powerful and destructive entities called ‘Elementals’, but Peter, on a European school trip and pining after MJ (facilitating a number of sweet moments between the two) just wants to live the life of a normal teenager, leaving him torn between using his gifts to help keep the world safe and just being an average 16-year old.  As such, Far From Home functions more as a teen road trip rom-com than an actual full-on Spider-Man adventure.  There’s not necessarily anything wrong with that and it’s great for exploring and developing the characters but previous, prior MCU, Spider-Man films were able to achieve that whilst still delivering a more satisfying interpretation that genuinely felt like an issue of The Amazing Spider-Man.  Despite some decent action set-pieces (accompanied by some great visuals), there’s just something absent from Far From Home to make it a real “classic” iteration of Spider-Man.  It also feels a little overstretched during its first act and the pacing tends to suffer as a result and whilst those action scenes offer the requisite popcorn spectacle, they are driven by the effects leaving the sense of jeopardy and tension lacking.  The humour is pretty much on point but there are times when it seems to override everything else, as if serving to paper over some of the narrative cracks.

Spider-Man: Far From Home, if not a contender for the best big screen outing for Marvel’s wall-crawler (or a top-tier MCU entry for that matter) remains an enjoyable enough diversion and provides some interesting set-up for the character’s cinematic future and that of the Marvel Cinematic Universe.

The bottom line:  A fun comic book adventure with some great cast performances, Spider-Man: Far From Home leans more towards teen-romance and comedy hijinks over delivering a truly classic big screen outing for Marvel’s iconic web-slinger.

Spider-Man: Far From Home is in cinemas now.

Images used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Film Review: ‘Spider-Man: Homecoming’

Tom Holland swings back into action to grapple with great power

and great responsibility… 

Spoiler-free review 

Starring:  Tom Holland, Michael Keaton, Robert Downey Jr, Marisa Tomei, Jon Favreau, Jacob Batalan, Laura Harrier

Directed by:  Jon Watts / Written by:  Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna & Erik Sommers / 133 minutes

What’s it about?

Having fought alongside the Avengers as Spider-Man, Peter Parker yearns to be the indispensable hero but finds he has much to learn when the appearance of the villainous Vulture threatens to destroy all that he loves…

In review

After making an impressive debut in Captain: America Civil War, Tom Holland returns to the Marvel Cinematic Universe as high school student Peter Parker – aka Marvel’s much-loved wall-crawling web-head, Spider-Man.  The sixth solo big screen outing for the character, Spider-Man: Homecoming benefits greatly from the co-production deal between Sony Pictures and Marvel Studios with its connections to the wider Marvel screen universe more of an embellishment than a hindrance.

Whilst it fails to match the heights of Sam Raimi’s Spider-Man 2, Homecoming is a fun, witty and heartfelt comic book adventure, wearing its high school teen comedy and coming of age story elements with pride and exuberance.  In this respect, Spider-Man: Homecoming is a more youthful affair in the vein of John Hughes’ The Breakfast Club and Ferris Bueller’s Day Off, focusing on its characters first and foremost, offset by the (generally) more street-level heroics of Peter Parker’s friendly neighbourhood alter-ego rather than being a slave to it.

Tom Holland once again tackles the role of Peter Parker/Spider-Man with enthusiasm and glee, with the wit, intelligence and vulnerability that reminds us of the appeals and relatability of the character – the well-intentioned, nerdy underdog with everyday problems that everyone loves to root for.  In an age where to be a geek is somewhat cooler than in the 1960s, Homecoming treats Parker as less of an outsider and has a more balanced approach to its laudably diverse, multicultural cast of characters with some contemporary twists on familiar faces.  As the object of Peter’s affections, Liz (Laura Harrier) is more of a peer than the totally out-of-reach popular ‘cool’ girl but there’s still a good dose of angst as Peter tries to balance his school life and the callings of a superhero.

This being a Spider-Man film, there’s a natural wealth of humour (largely facilitated by Peter’s best friend, Ned – played wonderfully by Jacob Batalan) that, like Guardians of the Galaxy and Ant-Man fits neatly into the world of Peter Parker and never feels out of place or forced in at the wrong moment (Doctor Strange, ahem).  There are also numerous references and connections to the MCU (including the return of Tony Stark’s cantankerous driver, ‘Happy’ Hogan – with Iron Man/Iron Man 2 director Jon Favreau reprising his role) but are all slotted in tidily without burdening the story – this is still very much Spider-Man’s film.

As the central villain, Michael Keaton brings experience and gravitas to the role of Adrian Toomes/Vulture and despite having less screen time than it would initially seem he is well-served by some decent writing which paints a more interesting antagonist with identifiable motivations.  Far less a mere marketing gimmick, Robert Downey Jr’s part as Tony Stark/Iron Man feels integral to the narrative as he plays an important role as a father/mentor figure, there to guide Peter’s course and help him correct the errors of his ways – Stan Lee’s classic moral principal concerning great power and great responsibility a driving theme throughout.  It’s the support from Stark and Peter’s Aunt May (Marisa Tomei) that help keep our struggling hero centred and inspired to do better and be greater.

Although Spider-Man: Homecoming is mostly concerned with its characters, and the high school focused portions do tend to drag out the pace at times, there’s still plenty of popcorn action and spectacle to be had.  Despite the bulk of the action being bound to the streets of New York, there are a few larger set-pieces with ferry rescue and endangered aircraft sequences amongst the highlights.  It’s all staged competently by director Jon Watts and though lacking a little of the overall heft and excitement of the previous efforts by Sam Raimi and Marc Webb, it delivers enough to keep the audience engaged and thrilled.

Whilst the coming of age story and teenage relationship scenarios might be more appealing to a younger demographic, more seasoned Spider-Man fans will appreciate that this is where Peter Parker’s story begins, the formative experiences of his earlier years an important part of the character’s makeup and just like in the comics we can only look forward to seeing the character learn and grow into adulthood…the amazing and spectacular Spider-Man is here to stay and it’ll be exciting to share his cinematic journey in the years to come.

The bottom line:  A highly enjoyable romp, Spider-Man: Homecoming sets the iconic web-slinger on course for greater adventures to come as part of the Marvel Cinematic Universe.

Spider-Man: Homecoming is in cinemas now.

Spidey Homecoming

Does whatever a spider can: Tom Holland stars in ‘Spider-Man: Homecoming’ from Sony Pictures and Marvel Studios.