In 2009, the ‘Star Trek’ franchise made a bold return to the big screen…
Starring: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Bruce Greenwood, Ben Cross, Leonard Nimoy, Eric Bana
Directed by: J.J. Abrams / written by: Roberto Orci & Alex Kurtzman
What’s it about?
A young James Kirk and Mr. Spock meet for the first time aboard the newly commissioned U.S.S. Enterprise where they soon find themselves tasked with saving the universe from a vengeful out-of-time Romulan…
With the underwhelming box office and tepid critical reception of Star Trek Nemesis in 2002 and the cancellation of television series Star Trek: Enterprise in 2005 due to declining ratings a creative refresh of the Star Trek franchise was needed in order to rekindle fan interest and bring in a whole new audience that would help carry Gene Roddenberry’s creation into the future.
Whilst Star Trek would remain dormant on the small screen until the arrival of Star Trek: Discovery in 2017, it’s theatrical voyages would recommence just four years after the conclusion of Enterprise. Enlisting J.J. Abrams (together with his Bad Robot production company) to produce, direct and help craft the story – with screenwriters Roberto Orci and Alex Kurtzman (co-creator and executive producer of Discovery) – Paramount Pictures commissioned Star Trek for the big screen.
Released in May of 2009, received to favourable reviews and a healthy worldwide box office of around $385 million (a fairly respectable figure at a time when $1 billion grossers were few and far between and comparable to Marvel’s Iron Man), Star Trek would prove to be a rollicking action adventure that, although favouring popcorn spectacle and Star Wars-style visual grandeur over the deeper philosophical explorations of previous iterations, excels in its characters and engaging story. In order to be free from the burden of decades of continuity whilst still tying into the established universe, Star Trek would employ the popular time travel trope by bringing Leonard Nimoy’s (gifting the project with true Trek royalty) Spock back in time in an event that would create an alternate reality – now referred to as the Kelvin timeline – allowing a new series of Star Trek films to forge their own creative path.
Star Trek opens with the arrival of the Romulan ship Narada, thrust back in time after the destruction of the Romulan homeworld in the wake of a catastrophic supernova, which Ambassador Spock and the Vulcan High Command pledged, and fail, to avert. The Narada, under the command of the embittered Nero, is discovered by the U.S.S. Kelvin which is subsequently attacked and its captain killed – leaving Lt. George Kirk (a pre-Thor Chris Hemsworth) in command. The Kelvin’s crew, including Kirk’s wife (played by Jennifer Morrison) – about to give birth to their son, are evacuated as Kirk sacrifices his life to save others. Jumping forward several years we meet a young trouble-making James Kirk and an equally troubled Spock, struggling to reconcile his half-human/half-Vulcan heritage. Little do both know that destiny awaits (which for Kirk includes the captain’s chair of a certain starship), events drawing them together as the fate of both their worlds hang in the balance.
Finding new actors to inhabit the roles of the beloved original series crew was undoubtedly a daunting task and fortunately, the casting of Star Trek is exceptional. Chris Pine and Zachary Quinto are perfect choices for the roles of Kirk and Spock, respectively, both actors bringing respectful and recognisable performances to classic characters whilst making it their own and their chemistry helps drive the core narrative. Likewise, Karl Urban is a revelation as the cantankerous but loyal Doctor Leonard “Bones” McCoy – the final component in the celebrated Kirk/Spock/McCoy troika that was such an important part of the original series. There are equally strong turns from Zoe Saldana as Communications Officer Uhura, John Cho as Helmsman Sulu, the late Anton Yelchin as the incredibly eager Ensign Chekov and Simon Pegg as Engineer Montgomery “Scotty” Scott. Bruce Greenwood’s portrayal of Captain Christopher Pike (played by Jeffrey Hunter in Star Trek’s original pilot episode, “The Cage” and by Anson Mount on Star Trek: Discovery) is also a highlight, particularly in his relationship with Pine’s Kirk as he inspires the bright but directionless young rebel by daring him to be better and enlist in Starfleet. Playing the part of the villainous Nero is Eric Bana, who had previously starred in Ang Lee’s Hulk. He’s not necessarily the most complex of antagonists but Bana gives it his all, delivering a decent measure of menace.
The design of Star Trek is exemplary, from the Academy Award winning make-up, costumes and props (both nifty updates from the original series) to the lavish, brightly lit sets by Scott Chambliss and the sleek redesign of the Enterprise herself, providing viewers with a pleasing new look which respectfully adheres to the overall configuration conceived by Matt Jeffries. Whilst there’s a comforting sense of the familiar, Star Trek also takes some creative risks – primarily the destruction of Vulcan by Nero and his cohorts in retribution for the failure to save Romulus from its own obliteration in the future. It’s a shocking and dramatic sequence that establishes the highest of stakes to unite the Enterprise crew and allows for a more emotionally vulnerable depiction of Quinto’s Spock.
As director, J.J. Abrams (who made his feature film debut in 2006 with Mission: Impossible III) brings energy and enthusiasm to Star Trek, keeping the viewer invested whether it’s in his execution of action and visual splendour or the tight and attentive focus in the quieter, more intimate character moments. A good film is always enhanced by a great musical score and composer Michael Giacchino’s soundtrack is a memorable one, exciting, emotional and wonderfully intertwining cues from Alexander Courage’s original Star Trek theme with fresh themes to take the new big screen franchise forward.
Star Trek may have been divisive so far as the fanbase is concerned but there are those that enjoyed it for what it was, a polished and highly entertaining rejuvenation of an ageing franchise that opened up the universe to a whole new audience which is something that shouldn’t be undervalued.
The story of Star Trek was fleshed out via tie-in comic books from IDW Publishing (and overseen by co-screenwriter Roberto Orci) with prequel titles Star Trek: Countdown and Star Trek: Nero adding a lot of insightful detail and background to the narrative of the 2009 film.
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