Flashback: ‘Star Trek Generations’

It’s 25 years since the cast of ‘Star Trek: The Next Generation’ transitioned to the big screen…

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Captains Picard (Patrick Stewart) and Kirk (William Shatner) unite to save the galaxy in ‘Star Trek Generations’ (image credit: Paramount Pictures).

Year:  1994

Starring:  Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Malcolm McDowell, William Shatner, James Doohan, Walter Koenig

Directed by:  David Carson / written by:  Ronald D. Moore & Brannon Braga (story by Rick Berman, Ronald D. Moore & Brannon Braga.  Based upon Star Trek, created by Gene Roddenberry)

What’s it about?

Captain Picard and the crew of the Enterprise must stop an obsessive and dangerous scientist from causing the deaths of millions as he searches for a way to return to a mysterious extra-dimensional realm…

Retrospective/review

With Star Trek: The Next Generation completing it’s highly successful seven year run on television and the original Star Trek crew’s big screen voyages concluded with 1991’s Star Trek VI: The Undiscovered Country it was time for the torch to be passed.  Production on a seventh Star Trek film, in which the newer Star Trek cast would make their silver screen debut, commenced almost immediately after work had wrapped on The Next Generation’s series finale with Star Trek Generations releasing in cinemas in the fall of 1994.

An enjoyable and fun science fiction adventure, Star Trek Generations facilitates a meeting between William Shatner’s Captain Kirk and Patrick Stewart’s Captain Picard whilst also incorporating smaller cameo roles for two other classic Trek characters – Chekov (Walter Koenig) and Engineer Montgomery Scott, a.k.a. “Scotty” (James Doohan).  The story begins in the 23rd Century as Kirk, Chekov and Scotty are guests of honour aboard the newly commissioned successor to Kirk’s ship, the Enterprise-B.  Her maiden voyage is interrupted by an incoming distress call from the Lakul – a transport ship ferrying El-Aurian refugees to Earth, amongst them future Enterprise bartender, Guinan (Whoopi Goldberg).  Discovering that the Lakul is tangled in a mysterious energy ribbon with destructive tendrils threatening to tear it apart, the Enterprise (under the command of Captain John Harriman, played by Alan Ruck) risks all to save the refugees – including Captain Kirk, seemingly lost when the Enterprise’s hull is breached.

Flashing forward 78 years to the 24th Century, Captain Picard and the crew of the Enterprise-D investigate the attack of a deep space observatory.  Recovering the only survivor, the El-Aurian scientist, Dr. Tolian Soran (Malcolm McDowell, star of Stanley Kubrick’s A Clockwork Orange), Picard soon learns that Soran, along with Guinan, whose race has a life span many times greater than humans, were rescued during the Lakul incident and that the energy ribbon encountered by the Enterprise-B is a recurring phenomenon known as the Nexus, a gateway to an extra-dimensional realm were one’s fantasies and dreams are realised and time has no meaning.  Soran, in cohorts with the Klingon Duras sisters Lursa and B’etor (Barbara March and Gwyneth Walsh, respectively, reprising their villainous roles from Star Trek: The Next Generation and Star Trek: Deep Space Nine), in exchange for providing them with a powerful new weapon, plans to draw the Nexus to him by destroying stars and threatening the lives of millions.  With the stakes set high, Picard is soon confronted with Soran on the planet Veridian III before being swept into the Nexus, leading to an encounter with a legendary Starfleet captain once thought dead…James T. Kirk, offering Picard his only hope of stopping Soran.

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Malcolm McDowell as Soran (image credit: Paramount Pictures).

Although they may have felt encumbered by a laundry list of requirements for the film (the essential ingredient being a Kirk/Picard team-up), screenwriters Ronald D. Moore and Brannon Braga – who also wrote the TNG series finale (the feature length “All Good Things”) took their knowledge and experience as former writers on The Next Generation to construct an entertaining narrative that gets the job done, providing some decent character moments together with an imaginative and action-packed science fiction story, under the capable direction of David Carson, himself no stranger to the franchise having helmed fan-favourite TNG episode “Yesterday’s Enterprise” and the Star Trek: Deep Space Nine series premiere.  Generations also boasts a music score from veteran TNG and Deep Space Nine composer Dennis McCarthy, particularly effective during Picard’s scenes in the Nexus where the music has an appropriately wondrous, mystical quality to it.

Focusing on the acting performances and characterisation, there’s a lot for fans to appreciate.  Beyond the obvious delight of having Kirk and Picard onscreen together, both William Shatner and Patrick Stewart are given a reasonable amount to chew on.  Stewart’s Picard suffers the tragic accidental deaths of his brother and nephew (his scenes with Whoopi Goldberg’s Guinan are also a highlight, as they always where in TNG) before his later experience in the Nexus which presents the noble starship captain with the dream of an idyllic family life at Christmas time and a renewed sense of faith as he unites with Captain Kirk to save the day.  Despite only appearing in the opening and closing acts of Generations, Wiiliam Shatner is still given enough time to prove his worth as his meeting with Picard invokes a realisation that the fantasy the Nexus offers just can’t compare with the reality of risking all for the greater good.  The horse-riding scenes also allow Shatner to combine his real-life enthusiasm for the equestrian with his defining and most iconic screen role.

James Doohan and Walter Koenig are a pleasing addition to the opening of Generations and along with Kirk, a comforting sight, yet although William Shatner is afforded a larger role, this is still very much a Star Trek: The Next Generation film – with Brent Spiner’s Data particularly well-served as the Enterprise’s android experiments with emotions allowing him to experience a range of feelings and human concepts, from humour and joy to fear and regret.  The always excellent Spiner rises to the occasion with ease and its unsurprising that Data becomes such a key player in the subsequent Star Trek films.  As the central villain, Malcom McDowell delivers a decent measure of threat, Soran’s desire to revisit the Nexus driven by the yearning to see his dead wife and children.  It’s something touched upon but sadly not fully explored but does however provide the character with some depth and the script furnishes McDowell with some memorable lines, such as “they say time is the fire in which we burn” which has something of a literary and philosophical quality to it.

Of course, the biggest surprises of Generations (spoilers…) are the heroic – but highly controversial – death of Kirk (reshot after test audiences were underwhelmed with the original scene, in which Soran simply shoots Kirk in the back), truly marking the end of an era and the destruction of the Enterprise-D to make way for a new and more big screen friendly U.S.S. Enterprise for the sequels.  Both elements help to supply Generations with a suitably tense and gripping finale and an emotional farewell to a beloved character.  Whilst Star Trek Generations is not on the same level as perennial favourites Star Trek II: The Wrath of Khan and Star Trek IV: The Voyage Home, it’s still a fitting first big screen outing for the crew of Star Trek: The Next Generation which would lead to the superior and popular sequel, Star Trek: First Contact.

Geek fact! 

It was originally intended that Leonard Nimoy and DeForest Kelley would reprise the roles of Spock and Doctor McCoy in Generations in place of the Chekov and Scotty cameos, but both actors declined feeling that Star Trek VI: The Undiscovered Country was a more satisfactory finale for their characters.

Image(s) used herein are utilised for illustrative purposes only and remain the property of the copyright owner(s).

Flashback: ‘Star Trek: Enterprise’ – “Broken Bow”

Sixteen years before ‘Discovery’, there was another ‘Star Trek’ prequel…

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The crew of first ‘Star Trek’ prequel ‘Enterprise’.

Starring:  Scott Bakula, Jolene Blalock, Connor Trinneer, Dominic Keating, John Billinglsey, Anthony Montgomery, Linda Park, John Fleck, Vaughn Armstrong, Gary Graham, Tommy Lister Jr

Series created by:  Rick Berman & Brannon Braga (based upon Star Trek, created by Gene Roddenberry)

Written by:  Rick Berman & Brannon Braga / Episode directed by:  James L. Conway / 2001

What’s the episode about?

On a mission to return an injured Klingon to his homeworld, the starship Enterprise and her crew are thrust into conflict with an alien race known as the Suliban…

Retrospective

Airing back in September 2001, “Broken Bow” is the feature-length premiere of the fifth live-action Star Trek television series, Enterprise (sans the ‘Star Trek’ prefix, which would be added from the show’s third season).  Created by Rick Berman, the franchise’s head producer (and its guardian following the death of Gene Roddenberry in 1991) together with Star Trek: The Next Generation and Star Trek: Voyager writer/producer Brannon Braga, Enterprise is a prequel to Star Trek: The Original Series set over a century prior to the voyages of Captain Kirk’s U.S.S. Enterprise and a decade before the formation of the galactic coalition known as the United Federation of Planets.

With “Broken Bow”, the story of Enterprise begins in 2151, almost a century after Earth’s first contact with the Vulcans (as seen in the 1996 feature film Star Trek: First Contact) at a time when the human race has recovered from the devastation of World War III and set their sights on the stars.  With the assistance and guidance of the Vulcan High Command, Earth has begun developing newer and faster starships, the latest of which is the Enterprise NX-01 – the first Starfleet vessel to incorporate the revolutionary Warp 5 engine that will allow humans to head out into deep space on a mission of peaceful exploration and contact with alien races.

“Broken Bow” opens with the crash landing of a Klingon on Earth, being pursued by mysterious alien soldiers from a race called the Suliban.  Wounded during the pursuit, despite the objections of the Vulcan High Command, Starfleet decides to launch Enterprise on a mission to Qo’nos, the Klingon homeworld, and return the injured Klingon – named Klaang (Tommy Lister Jr) – to his people.  It’s not exactly plain sailing however and when the Suliban capture Klaang mid-voyage, the crew of Enterprise are thrust into danger as they set out to locate and rescue the Klingon from his captors.

“Broken Bow” unfolds at a steady pace, its earlier sections taking time to introduce the main characters and the general setting of Enterprise, notching things up once the NX-01 embarks on her maiden voyage.  As the plot progresses we learn that the Suliban aggressors are a cabal of genetically enhanced soldiers, receiving orders from a mysterious benefactor (James Horan), communicating with them from the future and are fighting a ‘Temporal Cold War’ in which various competing factions are attempting to manipulate the timeline in their favour.  Here, the Suliban are planning to incite a Klingon civil war, evidence of which Klaang has obtained and which the Suliban are desperate to recover.

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The wonderfully designed Enterprise NX-01, ready to launch into deep space…

With a desire to return to more character-driven stories, Berman and Braga ensured that they populated Enterprise with engaging characters.  Always their first choice for the lead, Quantum Leap star Scott Bakula is Captain Jonathan Archer, whose father, Henry, designed the Warp 5 engine.  Bakula brings a grounded, believable quality to the role and the flashbacks to Archer’s childhood are a neat addition that bring dimension to the character as we see how his relationship with his father drives his determination as an explorer and pioneer.  The rest of the principal cast comprises Jolene Blalock as Sub-Commander T’Pol, a Vulcan Science Officer posted to Enterprise at the insistence of the High Command, Connor Trinneer as spirited Chief Engineer Charles ‘Trip’ Tucker III, Dominic Keating as Armoury Officer – and dutiful Englishman – Lieutenant Malcolm Reed, Anthony Montgomery as Helmsman Ensign Travis Mayweather, a ‘space boomer’ born and raised on an Earth cargo ship and Communications Officer and gifted linguist Ensign Hoshi Sato.  Completing the crew’s complement are Archer’s pet Beagle, Porthos and the ‘Denobulan’ Chief Medical Officer, Doctor Phlox played with a wonderfully quirky charm by John Billingsley.  The central threat of the Suliban is headed up by the nefarious Silik, played John Fleck (no stranger to Star Trek, having previously guest starred in episodes of The Next Generation, Deep Space Nine and Voyager).  Silik, the Suliban Cabal and the theme of the Temporal Cold War would be revisited throughout the four season run of Enterprise and would prove a compelling and intriguing storytelling component for the series.

Overall, the script for “Broken Bow” is decent, the direction (by experienced Trek director James L. Conway) solid and the cast and their respective characters are instantly likeable.  The Emmy Award winning visual effects are also excellent and hold up well today.  “Broken Bow” boasts numerous exciting action sequences, from the opening cornfield chase to the Suliban’s infiltration of Enterprise and the escape of Archer and his landing party from Rigel X through to the battle within the atmosphere of a gas giant and the climactic face-off between Archer and Silik onboard the Suliban’s ‘Helix’ base.

The show’s production design, by Herman Zimmerman (another Star Trek veteran, having worked on The Next Generation and Deep Space Nine as well as several of the feature films) is another strong component, the interior of the NX-class Enterprise given a cramped, submarine-esque layout with a nifty combination of LCD screen technology and physical, switch based control systems that gives the show a slightly retro-futuristic look that acknowledges the advancement of modern technology whilst retaining its place within the Star Trek timeline.  Along with the costume design (the flight-suit style crew uniforms a highlight), props and the ever impressive make-up by Michael Westmore and his team, Enterprise remains as visually appealing as it was over fifteen years ago.

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The Suliban: another example of make-up maestro Michael Westmore’s talents.

Having Enterprise take place before the original Star Trek allows the series to present some fresh takes on the familiar.  The Vulcans of the 22nd Century are not quite as noble as they are in the other Star Trek series and tend to have a condescending attitude towards humans (believing they are not yet ready to join the interstellar community), adding an element of conflict to the show.  Similarly, humans are more fallible making the characters more relatable whilst still injecting them with the drive to learn and improve in accordance with Gene Roddenberry’s positive vision for humankind’s future.  Another notable departure concerns the iconic Star Trek technologies, most of which here are in their infancy or don’t yet exist – the universal translator can be unreliable, there are no shields, phasers are called ‘phase pistols’ and the transporter has only just been approved for bio-transport and reluctantly used by the crew as a last resort.

It’s known that Paramount were nervous about producing a Star Trek prequel series, perhaps fearing that audiences had become accustomed to and seemingly favoured the 24th Century setting of previous spin-offs The Next Generation, Deep Space Nine and Voyager.  In fact, the studio were even more hesitant about Berman and Braga’s initial concept for Enterprise, where they envisioned a predominantly Earth-based first season examining political and social concerns surrounding the construction and eventual launch of Enterprise and humanity’s first voyage into deep space.

“Broken Bow” is comfortably the strongest premiere of the Berman-era Star Trek series and although Enterprise would struggle with dwindling viewership and gradual loss of interest in the franchise at that point (which sparked the show’s edgier direction in season 3) it’s still an enjoyable, underappreciated chapter in the Star Trek story.

Geek fact!  “Broken Bow” features a cameo from James Cromwell as Warp Drive inventor Zefram Cochrane, reprising his role from Star Trek: First Contact.

Flashback: ‘Star Trek VI: The Undiscovered Country’

The original Star Trek cast bow out as they face a battle for peace… 

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‘Star Trek VI: The Undiscovered Country’: a satisfying conclusion to the voyages of the original crew.

Year:  1991

Starring:  William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, Christopher Plummer, David Warner, Kim Cattrall

Directed by:  Nicholas Meyer / Written by:  Nicholas Meyer & Denny Martin Flinn (Story by Leonard Nimoy, Lawrence Konner & Mark Rosenthal)

What’s it about?

When the Klingon Chancellor is assassinated enroute to peace talks on Earth, Captain Kirk and Dr. McCoy are accused of the crime leaving Spock and the crew of the U.S.S. Enterprise to uncover the true culprits…

Retrospective

With the lukewarm reception of Star Trek V: The Final Frontier (read the retrospective here), Star Trek’s future on the big screen seemed to be in doubt.  Yet, with the franchise’s 25th anniversary approaching, Paramount Pictures decided that the original cast deserved one more adventure before relinquishing the silver screen to their younger (and by this point, less costly) successors on the increasingly popular spin-off series Star Trek: The Next Generation.

Determined to deliver a classic and rewarding finale for the original crew (albeit William Shatner, James Doohan and Walter Koenig would cameo in Star Trek Generations) and one that would be equally redeeming for the audience, Paramount enlisted Leonard Nimoy and Nicholas Meyer to help shape Star Trek VI, both having been involved in the more successful and more popular entries in the series – Nimoy as director of Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home and Meyer as director (and uncredited writer) of Star Trek II: The Wrath of Khan and co-writer of The Voyage Home.  With Harve Bennett feeling jaded by the troubled production of Star Trek V and disagreements with Paramount over the direction of Star Trek VI (the concept for a prequel featuring a new cast as younger versions of Kirk, Spock, McCoy et al being rejected by the studio) he would decide to depart the franchise leaving Ralph Winter in place as the film’s head producer.

The creative matchup of Nimoy (receiving executive producer and story credits) and Meyer would prove to be a strong and vital component to Star Trek VI, both looking to do what they felt the franchise did best – tell a compelling story that explores the human condition and discusses the issues of the day in an entertaining and engaging manner.  With the social and political climate of the 1990s being shaped by the fall of the Berlin Wall and the climax of the Cold War, Nimoy felt that this would make for a suitable and relevant topic of discussion for a good Star Trek story, one that would once again feature the original crew’s greatest adversaries: the Klingons.  Given that the Klingons were conceived by Star Trek writer/producer Gene L. Coon as a stand-in for the Russians and to provide conflict allegorical of Cold War tensions between the United States and the Soviet Union, their role in the story would be a natural and logical fit.  From this central concept, Star Trek VI: The Undiscovered Country (a title lifted from Shakespeare’s Hamlet) was born.  Working from Nimoy’s premise, Meyer would craft the film’s screenplay with co-writer Denny Martin Flinn, providing a dark, yet ultimately optimistic tale infused with all the fun, humour and excitement audiences had come to expect from a Star Trek film.

Star Trek VI opens with the destruction of the Klingon moon Praxis, the Klingon Empire’s key source of energy (an event likened by Nimoy as a galactic version of the Chernobyl incident), leading to a call for peace with the United Federation of Planets.  Three months from retirement, Kirk and his crew are ordered to rendezvous with the Klingon Chancellor’s delegation and escort them to Earth to open negotiations, but when the Chancellor is assassinated, Kirk and McCoy are put on trial for plotting Gorkon’s murder and sentenced to life imprisonment.  What follows is a thrilling ‘whodunit’ which sees Spock and the crew of the Enterprise in a race against time to uncover the perpetrators and rescue their comrades before peace talks falter and all-out war becomes certain.

Heading up the guest cast are David Warner (who had appeared as St. John Talbot in The Final Frontier and as a time-travelling Jack the Ripper in Nicholas Meyer’s directorial debut, Time After Time) as the “Lincoln-esque” Klingon Chancellor, Gorkon, Christopher Plummer as his villainous chief of staff, the Shakespeare-spouting General Chang, Rosana Desoto as Gorkon’s daughter (and successor) Azetbur and a post-Mannequin, pre-Sex in the City Kim Catrall as the Enterprise’s new Vulcan helmsman, Valeris.  Reprising their roles from The Voyage Home are Brock Peters as Admiral Cartwright, John Schuck as the Klingon Ambassador and Mark Lenard as Vulcan Ambassador and Spock’s father, Sarek.

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Christopher Plummer as General Chang.

With a screenplay laced with strong dialogue and characterisation, Nicholas Meyer draws out fine performances from the principal and guest actors alike ensuring that each of the core Star Trek characters get their moment in the spotlight, especially George Takei who relishes the advancement of the loyal Mr. Sulu to Captain of the U.S.S. Excelsior.  Christopher Plummer makes for a great villain, excessive and passionate quotations of Shakespeare only adding to his increasing malevolence.  William Shatner, Leonard Nimoy and DeForest Kelley are once again on top form with Shatner and Kelley in particular sharing some memorable scenes together during their trial and subsequent sentence to the penal mining asteroid, Rura Penthe.

It’s reported that Gene Roddenberry (whose health was in serious decline) had concerns about The Undiscovered Country, specifically the prejudice and bigotry displayed by the Enterprise crew and the more militaristic approach to Starfleet, conflicting with the more altruistic vision he had for Star Trek and its characters.  These are certainly valid points but can largely be forgiven when taken in the context of the film’s story and the history of the conflict between the Federation and the Klingon Empire and those aforementioned parallels to America and Russia.

Climaxing with a tense and exciting finale featuring an explosive space battle between the Enterprise, Excelsior and a prototype Klingon vessel and a desperate race to prevent the assassination of the Federation President (played by Robocop’s Kurtwood Smith), Star Trek VI: The Undiscovered Country is a fitting conclusion to the original cast’s tenure and a satisfying celebration of the franchise that remains one of its most enjoyable big screen instalments.

Geek fact!

Star Trek VI includes a cameo from one of Hollywood’s hottest rising stars of the 1990s – and Star Trek fan – Christian Slater.

What are your memories of Star Trek VI? Share your thoughts below!

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Once more unto the breach: the original cast of ‘Star Trek’ assembled for their final adventure…

‘Star Trek: Discovery’ Enters Production!

The world’s most popular SF franchise is all set for it’s return to the small screen…

After months of speculation and behind the scenes delays, CBS has announced that production has commenced on Star Trek: Discovery with a painfully brief but non-the-less tantalising video giving short glimpses of some of the series’ production design (including the currently vacant Captain’s chair):

Video linked from YouTube via the JoBlo TV Show Trailers channel.

The sixth live-action Star Trek television series, Discovery was originally set to debut this May but with the departure of showrunner Bryan Fuller and casting announcements to be completed, CBS has wisely postponed the launch date indefinitely until all the pieces are fully in place and to ensure the series can ultimately live up to both its potential and the anticipation of millions of devoted fans the world over.

At this point little is known about the overall concept of Star Trek: Discovery bar that it will take place in the ‘Prime’ Star Trek universe (and therefore not connected to the current big screen alt-universe established by J.J. Abrams’ Star Trek) around ten years prior to the original Star Trek television series and will focus on the crew of the U.S.S. Discovery, principally the as-yet-unnamed Lieutenant-Commander to be played by The Walking Dead’s Sonequa Martin-Green .  Joining Martin-Green are Doug Jones (Hellboy, Falling Skies) as Science Office Lieutenant Saru – a member of an alien race that will be new to the franchise – along with Anthony Rapp as Lt. Stamets, the first openly gay regular character for a Star Trek series and Gotham’s James Frain as Sarek, the very same Vulcan ambassador and father of Spock played in the original Star Trek series and films by Mark Lenard.  Michelle Yeoh (Crouching Tiger, Hidden Dragon) will also feature as Captain Georgiou who will command another Starfleet vessel, the Shenzhou together with three Klingon characters to be played by Mary Chieffo, Shazad Latif and Chris Obi.

Despite his departure from the series, Bryan Fuller (who has history with the franchise, having launched his career on Star Trek: Deep Space Nine before serving as a writer/producer on Star Trek: Voyager) had already mapped out the serialised storyline of the show’s first thirteen-episode season as well as having written the opening two-parter and will retain a credit as executive producer.  Showrunner duties will now be handled by Gretchen Berg and Aaron Harberts with Eugene Roddenberry (son of Star Trek creator Gene Roddenberry) on board as an executive producer and Nicholas Meyer, director of feature films Star Trek II: The Wrath of Khan and Star Trek VI: The Undiscovered Country (also serving as co-writer on the latter as well as on Star Trek IV: The Voyage Home) in place as a writer and consulting producer.

Co-created with Alex Kurtzman, co-producer/co-writer of the J.J. Abrams directed Star Trek and its sequel Star Trek Into Darkness, Star Trek: Discovery will launch in the U.S. later this year via streaming service CBS All Access (with the premiere episode airing on network television) and will be available worldwide via Netflix.

CBS prepare to launch 'Star Trek: Discovery', the first 'Star Trek' television series since the end of 'Star Trek: Enterprise' in 2005.

CBS prepare to launch ‘Star Trek: Discovery’, the first ‘Star Trek’ television series since the end of ‘Star Trek: Enterprise’ in 2005.

Are you excited about Star Trek’s return to television?  Share your thoughts below!

R.I.P. Leonard Nimoy

Words truly escaped me when the news broke yesterday of the death of Leonard Nimoy, best known for his portrayal of the iconic character of Mr. Spock in the equally iconic science fiction television series, Star Trek.

Having been a Star Trek fan for the majority of my geeky existence (so far) I cannot express how saddened I felt upon hearing the news, it felt like losing a friend – not someone I knew personally or had even met, yet, someone who was always strangely part of my life.  Nimoy’s contribution to Star Trek (and film and television in general) cannot be understated, his nuanced and introspective portrayal of Spock always captivating and effective in conveying the character’s struggles to reconcile the emotional and logical parts of his half human/half Vulcan heritage.  Nimoy shared great onscreen chemistry with co-star William Shatner’s Captain Kirk, a friendship that would filter into their personal lives with the two becoming close friends during and beyond their Star Trek years.

Aside from his role as Spock in the original Star Trek series (as well as guest starring in the Star Trek: The Next Generation two-parter “Unification”), Nimoy would go on to direct big screen voyages Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home as well as serve as an executive producer on Star Trek VI: The Undiscovered Country where he also worked with director Nicholas Meyer on the film’s story.

Outside of Star Trek, Nimoy appeared in numerous other films and television series including a two year stint as ‘Paris’, the enigmatic master of disguise and deception on Mission: Impossible, a memorable guest role as a murderous surgeon in Columbo, both the 1960s and 1990s versions of The Outer Limits and even parodied himself in The Simpsons.  He would also go on to direct the smash hit 1980s comedy Three Men and a Baby.  He was also a writer having penned memoirs I Am Not Spock and I Am Spock and a talented photographer – there was even a singing career, perhaps not his finest hour, yet he managed to release seven albums!  Nimoy’s final onscreen appearances as an actor were guest roles in Fringe and the 2009 big screen Star Trek reboot and its 2013 sequel Star Trek Into Darkness.

Although Star Trek brought Nimoy fame and fortune it did lead to some personal troubles with the actor enduring a struggle with alcohol which he sought as a release, allowing him to ‘break away’ from the often cold and emotionless Mr. Spock.  He also smoked heavily and despite quitting over twenty years ago Nimoy was last year diagnosed with obstructive pulmonary disease, a condition related to smoking and which ultimately lead to his death.

Leonard Nimoy died on Friday 27th February 2015, aged 83.  Those closing scenes of Star Trek II: The Wrath of Khan have become all the more poignant and emotional and made a legendary screen actor truly unforgettable…

Leonard Nimoy found fame in the iconic role of Mr. Spock in 'Star Trek' - a character loved by millions all over the globe.

Leonard Nimoy found fame in the iconic role of Mr. Spock in ‘Star Trek’ – a character loved by millions all over the globe.

Film Classics: ‘Star Trek II: The Wrath of Khan’

Looking at some all-time favourites…

 –

“The needs of the many outweigh the needs of the few…”

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Kirk (William Shatner) and Spock (Leonard Nimoy) in ‘Star Trek II: The Wrath of Khan’ (image credit: Paramount Pictures).

Year: 1982

Starring:  William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Nichelle Nichols, Walter Koenig, Kirstie Alley, Bibi Besch, Meritt Butrick, Paul Winfield, Ricardo Montalban

Directed by:  Nicholas Meyer / written by:  Jack B. Sowards (uncredited: Nicholas Meyer)

What’s it about?

Whilst Admiral Kirk oversees a training cruise aboard the U.S.S. Enterprise, Commander Chekov, serving as first officer of the U.S.S. Reliant discovers Khan – the genetically engineered tyrant who once tried to kill Kirk and now seeks revenge against the former starship captain for ‘marooning’ Khan and his people on a now desolate planet…

In review: why it’s a classic

Surely the best of all the Star Trek films to date, Star Trek II: The Wrath of Khan restored much of the spirit of the original Star Trek television series that was felt to be absent from the more effects and concept-driven (but highly imaginative) Star Trek: The Motion Picture.  Despite his diminished involvement, The Wrath of Khan is true to creator Gene Rodenberry’s intention that Star Trek be a way of telling entertaining and thought -provoking science fiction tales whilst also acting as a vehicle for stories exploring the human condition.

Directed by Nicholas Meyer (Time After Time), who, uncredited, also extensively rewrote the film’s screenplay, Star Trek II: The Wrath of Khan is the first of the classic Trek films to be produced by Harve Bennet after Paramount Pictures’ reduction of Gene Rodenberry’s role to that of ‘Executive Consultant,’ following their dissatisfaction with The Motion Picture.  The result is a film that takes a slightly more risky approach to the world of Star Trek and its characters without betraying the core tenets of the series or going against what fans would know or expect from Kirk, Spock, McCoy and the rest of the Enterprise crew.

A sequel to the classic Star Trek episode “Space Seed”, Star Trek II: The Wrath of Khan sees the return of genetically engineered antagonist Khan (Ricardo Montalben), bitter after being left on Ceti Alpha V to establish a new home with his people, subsequently decimated when the neighbouring planet exploded and laying waste to the ecology of their world – with no contact from Kirk to check on the progress of Khan and his brethren.  Stumbled upon by the U.S.S. Reliant’s captain (played by The Terminator’s Paul Winfield) and first officer, former Enterprise crewman Commander Chekov (Walter Koenig), whilst they search for a test site for ‘Project Genesis’ – a scientific breakthrough in terraforming – Khan seizes the Reliant and sets out on a relentless quest for vengeance against Kirk.  With the Enterprise on a cadet training cruise under Admiral Kirk’s supervision, a distress signal from the Regula I space laboratory instigates an emergency – placing Kirk in command and drawing him into confrontation with the enraged Khan who now not only seeks retribution against Kirk but plans to obtain the Genesis device for himself.

With a story that, like all good science fiction, taps into human concerns as it explores themes such as heroism and loss, The Wrath of Khan is made even greater by featuring a formidable and intelligent adversary who, like all good antagonists doesn’t see himself as the ‘villain’.  The late Ricardo Montalben was a memorable guest star in “Space Seed” and with his reprisal of Khan he effortlessly takes things to the next level with a scintillating and intense portrayal of the character.  The threat of Khan is enhanced with a touch of horror in the form of the mind influencing Ceti eels which he uses to bend Chekov and his captain to his will – the unnerving scenes of the creatures slithering into their ear holes providing the most unsettling moment in any Star Trek film.

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Khan (Ricardo Montalben) embarks on a relentless quest for vengeance (image credit: Paramount Pictures).

The Wrath of Khan is infused with literary reverence – Khan’s obsessive pursuit of revenge not unlike that of Moby Dick’s Captain Ahab (accentuated by quotes from Herman Melville’s novel) – as well as morals and ethics as it deals with Project Genesis, a powerful form of technology that could prove to be destructive in the wrong hands.  It also boasts some strong characterisation, from Kirk’s crisis as he regrets accepting promotion out of the captain’s chair whilst pondering a life that could have been as a father and husband (his son David and former partner Carol, played by Merrit Butrick and Bibi Besch respectively, the creators of Genesis), to Spock’s (spoiler!) sacrifice for “the needs of the many” and Khan’s anguish at the loss of his wife and the plight of his people adding to the drama.  Nicholas Meyer, though unfamiliar with Star Trek, brings all the creative elements suitably into play and encourages terrific performances from the cast, especially William Shatner (as Kirk), Leonard Nimoy (as Spock) – who share several wonderful scenes which highlight the unwavering bond of friendship between their respective characters – and, again, the superb Ricardo Montalban –as well as maintaining the tension and excitement during the film’s space battle sequences.  It’s also worth noting the increased role afforded to Walter Koenig in comparison to The Motion Picture and Kirstie Alley (future star of classic sitcom Cheers) makes her big screen debut in a fan favourite turn as Spock’s young Vulcan protégé, the equally logical and analytical Lieutenant Saavik.

Meyer also brings his love of all thing nautical to the fore (the Naval-esque orientated depiction of Starfleet, whilst more militaristic, provides an identifiable portrayal of the organisation) with the climactic nebula-bound battle between the Enterprise and the Reliant a fitting homage to tense World War II submarine thrillers such as Robert Wise’s Run Silent, Run Deep.  James Horner’s rousing, exciting and emotional music score is the icing on the cake that together with all of the other elements not only make Star Trek II: The Wrath of Khan a fine piece of science fiction film entertainment that resonates on a human level but represents the franchise at its cinematic best.

Standout moment

The Enterprise crippled by Khan’s surprise attack, Kirk uses his experience and ingenuity to gain the upper hand, utilising the Reliant’s command code sequence to lower its defences…

Geek fact!

Amongst the crew of the Reliant is Commander Kyle, a popular supporting character from the original series, with John Winston reprising the role.

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Star Trek VI: The Undiscovered Country : Nicholas Meyer returns to co-write and direct the original crew’s final outing in a gripping “whodunit?” that utilises the science fiction backdrop to comment on issues of the time – namely the collapse of the Berlin wall and with it, the Cold War.

Star Trek Into Darkness : though divisive, J.J. Abrams’ Star Trek sequel revisits The Wrath of Khan as Kirk (Chris Pine) and the crew of the Enterprise face high stakes against a new iteration of Khan (Benedict Cumberbatch).  Amongst all the contemporary blockbuster excitement are faithful homages to the franchise’s roots and commentary on issues such as terrorism and military intervention.

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