Film Review: ‘Interstellar’ (spoiler-free)

Far beyond the stars…

Starring:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Cain

Directed by:  Christopher Nolan / Written by: Jonathan Nolan and Christopher Nolan / 169 minutes

What’s it about?

As humanity faces extinction on an Earth ravaged by environmental catastrophe, former NASA pilot Cooper’s discovery of a scientific anomaly leads him on a journey that will take him to the stars…

In review

In 1968, Stanley Kubrick (with Arthur C. Clarke) took audiences on “The Ultimate Trip” with 2001: A Space Odyssey – a cinematic experience widely considered as the apex of cerebral and imaginative science fiction.  It proved triumphantly that science fiction cinema could be realised in a serious, thought provoking and technically proficient manner – a world away from the plethora of cheap (though in many cases, still enjoyable) ‘popcorn’ B-movies of the 1950s.  With Christopher Nolan at the helm, Interstellar follows Kubrick’s lead and melds the expansive imaginings of 2001 with human drama and exploration of modern scientific theory.

Nolan’s first post-Batman work is more Inception than The Dark Knight Rises, offering more of the reality altering and mind-bending imagery achieved in the former than the intense comic book action of the latter – though that’s not to say that Interstellar doesn’t include a fair share of edge-of-the-seat moments, it simply balances them against its other diverse elements.

Interstellar introduces an Earth that has been environmentally decimated, with humanity having turned its back on technological and other pioneering pursuits in favour of sustaining a desperate existence.  McConaughey plays Cooper, a widowed father of two and a former NASA pilot who once pondered about humanity’s place in the universe and forced to give up his dreams to take up a life as a humble farmer – dreams that have sparked the imagination of his daughter, Murph (Mackenzie Foy).  Unexplained events lead Cooper and Murph to a chance meeting with Professor Brand (Michael Caine) and the hard, but necessary decision Cooper decides to take by leaving his family to join an interstellar mission through a recently discovered wormhole to find humanity a new home – before it’s too late.

Whilst Interstellar generally takes the ‘hard SF’ route of 2001, there’s actually a surprising amount of emotional depth to proceedings played primarily via Cooper’s relationship with his daughter and her despair at her father’s decision to leave her (and her bother) behind to embark on a journey from which he may never return.  At turns heart-wrenching and heart-warming it provides the story with a resonance and a humanity that sets Nolan’s film apart from 2001 and ventures closer to the likes of Steven Spielberg’s Close Encounters of the Third Kind.

Naturally, Interstellar presents us with Nolan’s customary ‘heightened reality’ and the hard SF route is taken via the scientific theories of wormhole and space-time postulated by physicist Kip Thorne and as a result there is some heavy exposition that may leave traditional blockbuster audiences jaded and perhaps threatens to distract the more learned viewer, therefore it is the afore-mentioned emotional core that Nolan employs deftly to seek a balance between the intellectual moments and the human drama.

Nolan has once again assembled a fine cast of actors who successfully infuse their roles with the awe and wonder that the journey of Interstellar demands of them, juxtaposed against that human drama and presenting high stakes and challenges for their characters to dare to overcome.  McConaughey continues his resurgence of recent years, bringing a likeable and relatable quality to Cooper who is both a striving pioneer straight out of The Right Stuff and loving father struggling to reconcile with the anguish of leaving his family behind for the ‘greater good’.  Similarly, Hathaway puts in another strong performance as scientist Amelia Brand, who also has her own personal grief to bear.  Among other casting highlights are the ever reliable (and Nolan regular) Michael Caine who makes good use of his relatively small screen time as Amelia’s father, Professor Brand, some well-placed levity from droid ‘crewmember’ TARS, voiced by comedian Bill Irwin and a surprise cameo from…a well-known actor.

2001 aside, Nolan has cited a variety of influences that are present throughout Interstellar – from the world-building of Star Wars to the worn ‘lived-in’ aesthetics of Ridley Scott’s Alien, enriched by a commitment to practical elements of set design and location shooting (boasting some striking photography by Hoyte Van Hoytema which demands the extra cost of an IMAX ticket).  It’s an ode to the genre and the overall possibilities of good, practical, film making in the digital age.

Hans Zimmer complements the visual and emotional elements with another wonderful, wondrous, score (can he do any wrong after his incredible compositions for Inception, The Dark Knight Rises and the Nolan-produced Man of Steel?), although there are moments where the sound mix seems to be out of balance as Zimmer’s music threatens to muffle some of the dialog – hopefully this will be rectified for the home video release.

Despite grand intellectual themes and incredible imagery, Interstellar provides a decent measure of excitement with a number of set-pieces to rival Inception, with the colossal tidal wives and ice clouds of the worlds the film’s characters voyage to and a particularly tense, edge-of-the-seat orbital docking sequence among the highlights.  True, some may find the near three hour running time challenging (and at times it does verge on that feeling) and those not familiar with Nolan’s previous works or appreciative of the cerebral SF of 2001 might be baffled by the mind-bending final act but for fans of such things, Interstellar is bound to delight and inspire.

The bottom line:  As strong as any of his previous works, Christopher Nolan’s Interstellar is visually arresting, imaginatively expansive and emotionally resonant.  Prepare for a thrilling journey that Messrs. Kubrick and Clarke would envy…

Interstellar is in cinemas now.

Cooper (Matthew McConaughey) embarks on a journey to save the human race in Christopher Nolan's 'Interstellar'.

Cooper (Matthew McConaughey) embarks on a journey to save the human race in Christopher Nolan’s ‘Interstellar’.

What did you think of Interstellar?  Share your spoiler-free thoughts below!

9 thoughts on “Film Review: ‘Interstellar’ (spoiler-free)

  1. This film looks incredible – and I can’t wait to see it! I’m a huge fan of Nolans work however I have heard a few mixed reviews about this latest production. Still I’m sure I’ll enjoy it and from your spoiler free write up I now want to see it even more. Perhaps a 2001 for the modern generation eh? Will be quite intrigued to see (or hear) Zimmers music too – even if it does knock out some of the dialogue! I’m a huge fan of him (Zimmer) too. He scores some fantastic pieces! To be honest if I don’t get a chance to see this in the luxury that IMAX has to offer then I may even take the risk of purchasing it on Blu-Ray as I doubt I’ll be disappointed going by Nolans previous outings. The only thing that puts me off is from what footage I have seen in the trailers this looks more of a sci fi deep drama that has the possibility to confuse the viewer as much as Inception did instead of a fantasy sci fi enriched piece of film making that is a joy to watch and a spectacular/refreshing piece of art for our eyes to see! And the of course there is Matthew McConaughey – not the biggest fan to be honest but is he delivers as well as he did in Scorseses Wolf of Wall Street then I’ll over look this minor flaw! 😉
    To sum up this looks like an incredible film which (thanks to Nolans wonderful filmaking techniques) will be another one that sits proudly on my Film shelf and almost certainly sits on the same boundaries as all other sci fi classics along side Kubrick, Scott and (although it hurts to say it) Lucas.
    Another great write up! Keep up the good work!

    • Thanks for your thoughts (and kind words) mcphoney! I would definitely say that ‘Interstellar’ qualifies as a ‘2001’ for the modern generation, and if you’re a fan of Kubrick’s film (and Nolan’s previous films, ‘Inception’ being the most relevant) then you should certainly ‘get’ this.

      Zimmer’s score is fantastic (as his music generally is) and trust me, you will like McConaughey in this – it’s the best film role I’ve seen him play.

      Although the IMAX experience is a great way to see ‘Interstellar’ I feel it will still hold up on home viewing (much as ‘Gravity’ does), it does give ‘Inception’ a run for it’s money in the intellectual/mind boggling stakes but if you pay close enough attention and have at least a basic understanding of physics it should make relative sense (if not there are articles that explain certain plot points across the ‘net)!

  2. Excellent review. You really capture the essence of makes this film tick. As you know, I reviewed the film a few days ago. Since then, I have been surprised by the number of people who have large reservations with it. I know the final act is a leap of faith, in terms of what it asks of the audience, but it worked for me. I’m not always the tie-it-in-a-neat-bow kind of movie fan, but here, I wanted some hope.

    • Cheers Gareth! I had no issues with the final act of the film either, it was mind blowingly imaganitve and delivered emotional pay off and as you pointed out,it lead to a hopeful conclusion.

      Definitely my film of 2014 which was a year of strong releases generally.

      • I have yet to mop everything up from 2014 (didn’t get to the cinema much last year) so my ‘best of’ list is still a work in progress. So far, though, Interstellar at the top of my pile.

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